Netflix's Fake Assassin Movie, Hit Man, Is So Enjoyable It's Almost Criminal
Fake murder, real fun.
Movies
Review: How a Catholic Sister Resisted an Oppressive New York City Government
A new film depicts Mother Cabrini, the patron saint of immigrants.
With Ride or Die, the Bad Boys Movies Become Referendums on Masculinity
The fourth Bad Boys film is an uninspired retread.
Review: This Netflix Drama Depicts North Korean Refugees' Tribulations
My Name is Loh Kiwan dramatizes the experiences of refugees escaping oppressive regimes.
Super Size Me Was Not Groundbreaking Journalism
Morgan Spurlock's death and legacy are a reminder that skepticism is a necessary part of any balanced diet.
Review: The Terminator: The Original Killer AI
Arnold Schwarzenegger's classic role colored our perception of AI, for better or for worse.
Furiosa Is a Glorious Apocalyptic Epic From Mad Max Director George Miller
More philosophical and more Shakespearean than Fury Road, it's another ambitious action extravaganza.
Kingdom of the Planet of the Apes Is Just a Lot of Monkeying Around
The latest movie in the Apes franchise gestures at interesting ideas about politics and civilizational conflict, but it doesn't develop them.
No, Unions Aren't Having a Resurgence—and That's Good for Workers
Private unions have every right to exist, but that doesn't mean they're actually beneficial on net.
The Fall Guy Is a Crowd-Pleasing Homage to Silver Screen Stunt Work
It's not a great movie. But it is a great time at the movies.
Challengers Is the Horny Tennis Movie Hollywood Needs
A witty, erotically charged three-way love story about tennis, sex, and ambition.
Civil War Is a Brutal, Intense No-Sidesing of American Political Divisions
Alex Garland's latest post-apocalyptic thought experiment is a war movie without a take.
Monkey Man Is No John Wick. But It's Invigorating, Politically Potent Action Cinema.
Dev Patel's action debut is a righteous, wild revenge film.
Godzilla x Kong: The New Empire Is Epically, Enjoyably Stupid
A dumb, loud movie that delivers the promised monster beatdowns.
Review: Musical Movie Doesn't Recapture Mean Girls' Genuine Meanness
The audience's tolerance for the truth about bullying has diminished in our oversensitive age.
New Georgia Law Limits Film Tax Credits. But Marvel Would Still Qualify.
While the state senate's bill would cap tax credits at 2.3 percent of the state's budget, any production filming at a big enough studio would be exempt.
Patrick Swayze's Road House Defined the So-Bad-It's-Good Movie. The Remake? Not So Much.
A just-good-enough remake fails to live up to its predecessor.
Problemista Is a Magical Realist Fable About the Absurdity of America's Immigration System
A story about a young man who just wants to legally work, if only the system would let him.
Cheering From the Press Box
Also: Oppenheimer and Godzilla win at the Oscars, Virginia state lawmakers nuke plans for taxpayer-funded arena, and more...
Oscar-Nominated Robot Dreams Is a Gentle Animated Love Story About Dogs, Robots, and 1980s New York
A charming story of love, friendship, and impersonal urban bureaucracy.
Milei's Free Market Reforms Can Reshape Argentine Cinema
Decades of protectionism have led to the film industry’s decline, but a free market can make it bloom.
Dune: Part Two Is a Glorious Sci-Fi Spectacle
The sequel is about ecology, politics, economics, imperialism, and much more. But mostly it's about worms.
Review: Is Saltburn an Eat-the-Rich Comedy? Not Quite.
Critics are misreading the movie. The wealthy are not the villains in this story.
Drive-Away Dolls Is an Underwhelming Lesbian Noir
A shaggy roadtrip comedy set against the backdrop of late 1990s right-wing family values politics fails to come together.
Madame Web Is a Low Point for Superhero Movies
Listless and incoherent, it's a sign of the genre's struggles.
Audit Finds New York's $700 Million Film Tax Credits Make Little Difference
The credit "is at best a break-even proposition and more likely a net cost" for the state.
Georgia Lawmakers Propose Modest Changes to State Film Tax Credits
The credits cost the state over $1.3 billion per year with a 19 percent return on investment. Lawmakers' proposals will do little to change that.
Review: Godzilla Minus One Rejects the Idea of a 'Noble Death' in War
Director Takashi Yamazaki brings to the screen the most dreadful version of Godzilla since the franchise began.
Guarantors of Poverty
Plus: Chatbots vs. suicidal ideation, Margot Robbie vs. the patriarchy, New York City vs. parents, and more...
How Emily Blunt Copes With Her Stutter
John Stossel and the English actress discuss their shared problem—and why they'd like to destigmatize stuttering.
Wonka Fights the Candy Cronies
When regulators block entrepreneurs, they take away a golden ticket.
The Beekeeper Is a Pulpy, Enjoyable Action Movie About a Rigged System
In Jason Statham's latest lowbrow actioner, the bee puns buzz all the way to the top.
The Sweet East Is a Phantasmagorical Tour of Fringe America
In this bizarre East Coast road trip story, there's no American mainstream, just fringes and subcultures.
Georgia Taxpayers Lose $160,000 for Every Job Created by Film Tax Credits
The program generates just 19 cents for every dollar spent.
In Godzilla Minus One, Government Won't Save Anyone When the Crisis Comes
To fight the King of the Monsters, private citizens must band together.
Review: Scarface Shows How Prohibition Leads to Violence
Tony Montana has a bloody rags-to-riches story.
This Year's Libertarian Gift Guide: 23 Ideas for 2023
In today's innovative economy, there's no excuse for sending a gift card. The staff at Reason is here with some inspiration.
Hayao Miyazaki's The Boy and the Heron Is a Dream-Like Swan Song for a Great Animated Filmmaker
A magical, mysterious deeply personal movie about creation and legacy. And also, murder parrots.
In Ridley Scott's Napoleon, Political Ambition Is Both Pathetic and Horrific
The new film is an anti-epic about the petty awfulness of history's great men.
Scott Pilgrim Takes Off Slyly Remixes the Cult Film's View of Romance and Autonomy
What if Ramona Flowers bears some responsibility for creating her seven "evil exes" in the first place?
The Ballad of Songbirds and Snakes Is a Decadent Hunger Games Retread
Sharp world building and a strong central performance can't save this dystopian disappointment.
David Fincher's The Killer Is a Subtly Funny Movie About a Loser Assassin
Despite Fincher's reputation as a gloom-monger, his movies are often quite bleakly funny, and his lonely, agitated male loser characters are frequently the targets of the jokes.
The Marvels Is the Tedious Culmination of a Lot of Superhero Homework
In the director's own words, this is "a sequel to five different things."
Priscilla Is an Elvis Movie That Isn't About Elvis
Sophia Coppola's superb drama tackles an age-gap romance with nuance.
In French Thriller Anatomy of a Fall, the Law Is No One's Friend
A tricky, excellent legal drama shows just how hard it can be to pin down the truth.
SAG-AFTRA's Halloween Costume Rules Are Super Annoying
The union wants you to throw your Barbie costume in the trash, scab.
In Killers of the Flower Moon, Martin Scorsese Plumbs the Depths of American Depravity
A masterful epic from one of Hollywood's most important, most ambitious filmmakers.
