Ten years after its release, the final film of Christopher Nolan's Batman trilogy is possibly even more relevant.
Even as it gained fans around the world, home sales of the film remained illegal in the U.K. until 1999.
On streaming and the big screen, we're paying more for less, even as new ideas seem few and far between.
The original Jurassic Park is the best summer movie ever. The latest sequel just wants to remind you the original exists.
Disturbing, eerie, and strangely relevant, it's a return to form for the Canadian horror master.
A Sam Raimi fun house burdened by the Marvel universe's not-so-glorious purpose
No moral judgment, just Viking honor, pagan ritual, and inevitable death.
Another return to Potterville.
Jared Leto stars in a not-quite-Marvel film that inadvertently demonstrates the strengths of the MCU.
Nathan Rabin celebrates The Joy of Trash—and Gen X irony and cynicism—one terrible movie, book, and TV show at a time.
It's a Batman movie that seems distinctly uncomfortable with the idea of Batman.
Tom Holland and Mark Wahlberg star in another timid, lifeless video game adaptation.
Kenneth Branagh's murder mystery lacks glamour.
Beneath all the harm, humiliation, and non-consensual hair-shaving was a love of freedom.
A new Iranian thriller is both an elaborate social parable and an extended advertisement for the U.S. bankruptcy system.
Part sequel, part reboot, it's a slasher-film hall of mirrors.
It's the strangest, most meta sequel of the year.
Spider-Man: No Way Home Is a Spider-Man Movie About How Much You Enjoyed All the Other Spider-Man Movies
It's the two Spider-Mans meme in $200 million movie form.
It’s a moving story about immigration and assimilation, and one of the best movies of the year.