Adam Schiff Wants Federal Tax Credits for Movie and TV Production
Studies repeatedly show the credits aren't worth the cost.
Studies repeatedly show the credits aren't worth the cost.
The best way to release secret footage of alien life is…local TV news?
Even with copious gore, the new movie is too tame to be a controversy. There's a lesson in its trajectory.
This 20-years-later sequel traces a generation's economic fortunes through the decline of magazine journalism.
Andy Serkis discusses the corrupting nature of power, what Animal Farm says about modern authoritarianism, and whether technology expands or diminishes human creativity.
This one's no thriller.
A movie about marriage, memory, and the difficulty of knowing another person.
The actor previously pushed to repeal Section 230. Now, he is taking his advocacy to the global stage.
A dazzling, ridiculously charming sci-fi adventure from the author of The Martian
A cinematic time capsule from before the vibe shift.
Plus: AI layoffs, Paramount wins Warner Bros., and the Trump-Mamdani bromance.
A problematic hyperpop romance that collides with the manosphere
The Schitt's Creek character, played by Catherine O'Hara, was unapologetically herself and free from ordinary social expectations in a way I'd never seen before and knew I'd never see again.
Matt Damon and Ben Affleck play Florida police officers who stumble into a giant cash stash.
A zombie movie where mystical evil turns out to be a blonde guy named Jimmy.
"When it comes down to it, my life belongs to me," says Timothy Sandefur, author of the new book, You Don't Own Me.
The cartoon's bizarre saga illustrates what's wrong with modern copyright law.
Ari Aster’s pandemic satire is the movie of the year.
An eco-action film that covers too much familiar ground.
A dystopian action cartoon for the Bernie bro set.
Who knew that a Predator movie could be so cute?
A bleak, absurdist take on the gap between the world of HR corporate speak and ordinary Americans
A feisty, cancel-culture provocation that isn't willing to commit.
A pulsing electronic score turns a mediocre movie into a sick vibe.
A fascinating but uneven actor's showcase for Dwayne Johnson.
A fascinating, frustrating film that plays to the sympathies of liberal Hollywood. It's sure to win a lot of awards.
It’s about an authoritarian government, not the demands of capitalism.
Studios certainly appreciate free money, but lower fixed costs on labor are a much better incentive than tax credits they don't use.
A twisted, terrifying follow-up from the director of Barbarian
A fitting follow up to the classic spoofs of Zucker, Abrahams, and Zucker
A good enough take on Marvel's First Family that ignores its most interesting ideas.
Superman is not "Superwoke."
A roaring, swaggering, immensely entertaining throwback to the Jerry Bruckheimer Dad Action Movies of yore.
The film unfolds as a travelogue that culminates in a terrifying vision of a post-apocalyptic authoritarian society, man's true nature let loose by the collapse of civilization.
A strange sort of policy logic powers the new Disney remake.
The Pulitzer Prize–winning author discusses the enduring roots of Middle Eastern conflict, the rise and fall of cultural panics, and why Texas may be the blueprint—and battleground—for America's future.
Tony Gilroy's series reminds us that an empire doesn't need dark magic to be evil.
Tariffs on creative media are barriers not just to goods, but also to ideas.
Plus: Alcatraz reopening, Bukele corruption scandal, assisted suicide, and more...
The latest installment of the MCU is a movie about superhero has-beens fighting a depressive episode.
Two new biographies tell the stories of the unsung members of the Marx Brothers and the Three Stooges.
More murder, less math, in Ben Affleck's odd but amiable sequel.
After years in the Marvel mines, the Creed director returns with a bloody genre musical.
The long-delayed remake is a flat, limp, relentlessly boring film, strung along by bland, uninspiring songs.
Robert Pattinson stars as spacefaring multiples in director Bong Joon-ho's disappointing follow-up to Parasite.
Anora has won five Oscars, ample praise, and some criticism.
Hackman's performance as "Little Bill" Daggett in Unforgiven is an unflinching portrayal of how far the state will go to protect its corrupt monopoly on violence.
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