Review: Flow Is a Beautiful Low-Budget Animated Feature
The Latvian Oscar winner was rendered on a free and open-source 3D graphic engine.
The Latvian Oscar winner was rendered on a free and open-source 3D graphic engine.
Anora has won five Oscars, ample praise, and some criticism.
Morgan Spurlock's death and legacy are a reminder that skepticism is a necessary part of any balanced diet.
Also: Oppenheimer and Godzilla win at the Oscars, Virginia state lawmakers nuke plans for taxpayer-funded arena, and more...
A charming story of love, friendship, and impersonal urban bureaucracy.
In a chaotic universe full of infinite realities where all choices are relative, individualism still matters.
Shyamalan’s latest twist and a most unexpected Oscar nom.
A stacked cast and an Oscar-nominated director can't save this flop.
Plus, the Reason editors' thoughts on Ketanji Brown Jackson
The comedian won last night's Oscars by telling bad jokes, dealing with the consequences, refusing to escalate or apologize, and doing his damn job.
The Academy Awards are this weekend. Almost no one has even heard of the movies up for Best Picture.
Documentary short Do Not Split draws the ire of Beijing.
Like the Hays Code and Waldorf Statement before it, new diversity requirements are Tinseltown's way of asserting cultural dominance through self-policing.
They'll probably do more to lock out indie filmmakers than to advance real inclusion.
The Department of Justice is threatening antitrust action if the Academy keeps out streaming services like Netflix.
Reason's movie reviewer handicaps the Academy Awards and explains why this is the best and worst time to be a consumer of popular culture.
The Best Picture nod for Netflix's Roma marks a major victory for the streaming service.
The Academy Awards broadcast pulled fewer eyeballs for the same reason movie-ticket sales are down: We have more options. Thank God.
There's nothing wrong with pushing to work with people you want to work with.
Get Out grossed more than 56 times its budget. Dunkirk earned the most, by far, of any 2018 Best Picture nominee.
These films showcase individualism, innovation, and anti-statism, all while making us laugh and cry.
Reason's movie reviewer talks about why The Post sucked, why Lady Bird and Get Out rocked, and where #MeToo has gone too far.
John Stossel picks the best and worst political performances of the year.
The year's best movie shows the consequences of drug war authoritarianism without lecturing the audience.
Wiseman made the only movie in U.S. history to be banned for reasons other than obscenity or national security.
We spoke with author Andy Weir in September.
Big screen and small get big benefits at taxpayer expense.
Feminism no longer knows how to help real women with real problems
What women need is a broad progressive agenda, not identity politics
She's only playing the identity politics oppression card that they handed her
Want to know how much of your money paid for Best Picture-winner Birdman? Too bad!
It isn't a hawkish movie, and it isn't conventionally dovish either. But it does have a distinct political perspective.
Governments do their job of propping up the rich
Those shoulders too racy for their audiences
Argo beat out Zero Dark Thirty, Lincoln, other films
We watch the tedious award show so you don't have to.
Referring to Amour: "The last time Austria and Germany coproduced something, it was Hitler."
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