The French Dispatch Is a Profoundly Great Film About the Nature of Art and Freedom
A twee, fussy, brilliant movie from a pathologically twee and fussy director.
A twee, fussy, brilliant movie from a pathologically twee and fussy director.
Ridley Scott's jousting film is also a slyly subversive take on cultural perspectives.
Daniel Craig’s final outing as 007 is a reckoning with everything that made Bond who he is.
It's a crude, ugly derivative of a crude, ugly film.
Paul Schrader's story of an ex-military torturer is a searing tale of violence and redemption.
The movie tells the story of an immigrant community coming together to forge its own future through commerce.
Horror filmmaking has always been political, but the new Candyman takes it to a different level.
Ryan Reynolds stars as a video game character who discovers his whole life is a lie.
The most subversive thing about the movie is that the director was allowed to make it at all.
No, there isn’t really much more to this deservedly forgotten film.
A dumb movie with a dumb name based on a dumb idea.
Is the biggest brand in movies better off on the small screen?
Another lifeless pseudo-blockbuster goes straight to streaming.
A terrible movie about a bodyguard trying to regain an occupational certification.
The new film never wavers in its appreciation for these seasteading heroes as they piss off all the right people in pursuit of their slice of utopia.
Even a critic who doesn’t love singing or dancing succumbed to its charms.
Good stories introduce people to liberty long before they think about policy.
In Zack Snyder's latest, zombies are a public health issue, much like COVID-19.
The movie depicts the fictionalized gathering of Cassius Clay, Malcolm X, Jim Brown, and Sam Cooke, who spar over what each is doing to advance civil rights.
Guy Ritchie returns (with Jason Statham, wisely) and a Dutch woman discovers the ultimate cure for online menacing.
A terrible, Tom Clancy-inspired action movie that ends in a lame speech touting war as economic stimulus.
The Academy Awards are this weekend. Almost no one has even heard of the movies up for Best Picture.
Friday A/V Club: How a Watergate burglar spent the '80s
It’s a victory for fans made possible by the evolution of streaming technology.
Daniel Kaluuya and LaKeith Stanfield revisit the horror of a civil rights battlefield of the 1960s.
It’s a comfortable throwback to 1990s crime films. Too comfortable.
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