Review: Shang-Chi and the Legend of the Ten Rings
Daddy issue.
The movie tells the story of an immigrant community coming together to forge its own future through commerce.
Horror filmmaking has always been political, but the new Candyman takes it to a different level.
Ryan Reynolds stars as a video game character who discovers his whole life is a lie.
The most subversive thing about the movie is that the director was allowed to make it at all.
No, there isn’t really much more to this deservedly forgotten film.
A dumb movie with a dumb name based on a dumb idea.
Is the biggest brand in movies better off on the small screen?
Another lifeless pseudo-blockbuster goes straight to streaming.
A terrible movie about a bodyguard trying to regain an occupational certification.
The new film never wavers in its appreciation for these seasteading heroes as they piss off all the right people in pursuit of their slice of utopia.
Even a critic who doesn’t love singing or dancing succumbed to its charms.
Good stories introduce people to liberty long before they think about policy.
In Zack Snyder's latest, zombies are a public health issue, much like COVID-19.
The movie depicts the fictionalized gathering of Cassius Clay, Malcolm X, Jim Brown, and Sam Cooke, who spar over what each is doing to advance civil rights.
Guy Ritchie returns (with Jason Statham, wisely) and a Dutch woman discovers the ultimate cure for online menacing.
A terrible, Tom Clancy-inspired action movie that ends in a lame speech touting war as economic stimulus.
The Academy Awards are this weekend. Almost no one has even heard of the movies up for Best Picture.
Friday A/V Club: How a Watergate burglar spent the '80s
It’s a victory for fans made possible by the evolution of streaming technology.
Daniel Kaluuya and LaKeith Stanfield revisit the horror of a civil rights battlefield of the 1960s.
It’s a comfortable throwback to 1990s crime films. Too comfortable.
Chadwick Boseman shines in his final role.
Need an antidote to sickly sweet holiday stories?
For a small production, it's a remarkable technical achievement.
Aaron Sorkin takes on the famous trial of activists who organized an anti-war protest during the 1968 Democratic convention.
The Netflix release paints a picture of movie-industry arrogance, smugness, hypocrisy, and condescension—especially when it comes to politics.
J.D. Vance's memoir was an inherently political story. The film tries to ignore its context.
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