The Chosen
Christian media has a track record of creating hopelessly bad productions, but Dallas Jenkins' TV series is a cut above.
Christian media has a track record of creating hopelessly bad productions, but Dallas Jenkins' TV series is a cut above.
Would you risk your life to write off your loans?
This Nickelodeon nostalgia is strictly for the millennials—and nobody else.
Also, a sitcom about ghosts!
Both literally and in terms of quality
In an era of cynical nostalgia-fueled reboots, a racial reframing creates a new experience.
Fox drama doesn’t rise—or sink—to the right level for the genre.
There are only a dozen new shows hitting the airwaves this month.
Prestige television flogs another round of working-class misery.
As the 20th anniversary of 9/11 approaches, prepare for the many, many looks back.
The Netflix comedy special deals with the loneliness brought on by the pandemic.
"What has gotten materially better in America in, say, the last twenty years?" So! Much!
Selena Gomez is all grown up and hilarious.
The unexpectedly acrimonious search for a new host is undermining Alex Trebek's legacy.
Sandra Oh leads Netflix's satire on the state of academia today.
Friday A/V Club: Some people are against concentrated media power. Some just want to bend it to their will.
David Kelley brings another Liane Moriarty book to life.
The When Rabbis Bless Congress author and C-SPAN honcho on a weird political tradition and the glorious death of legacy media
Two seasons of Canadian suspense drama are available on NBC streaming service Peacock.
Sly humor prevents this book adaptation from becoming stuffy.
No, there isn’t really much more to this deservedly forgotten film.
There is more to Showtime's The End than the ways and means of self-destruction, but perhaps not much.
Dull platitudes about diversity from the Marvel Cinematic Universe
High-class characters plunge into low-class shenanigans at Hawaiian resort.
Elsewhere, Netflix is going to the cats and dogs.
Jackie Collins was a pop culture force to be reckoned with in the 1980s.
Advertisers found that appeasing an illiberal mob wasn’t a safe choice after all.
Two shows offer two different versions of hell, one more literal than the other.
Anarchy in New Hampshire? Unfortunately, not quite.
Also: A strange, 50-year-old George Romero public service movie is unearthed.
Talented actors like Julianne Moore, Joan Allen go to waste
The Bite and Halston feature the skilled producers and actors you're often not seeing on television these days.
The show perfectly encapsulates the feelings of grief, confusion, and isolation born of the pandemic.
Too Close and The Underground Railroad provide wildly different experiences.
A tale of heartbreak and tenacity in post-Reconstruction Mississippi.
A mother goes to extreme lengths to try to prove her son’s still alive.
An experiment to see if nurture could overcome nature did not end well.
AMC+ thriller takes viewers to paranoid, dangerous '60s Berlin.
If you miss Lovecraft Country, Amazon has an alternative.
People are people and politics is politics, no matter how far you get from planet Earth.
New ABC show wastes Katey Sagal’s massive talents.
Friday A/V Club: How a Watergate burglar spent the '80s
Also: Cancel culture knives are out for The United States of Al. It doesn’t deserve them.
It’s a victory for fans made possible by the evolution of streaming technology.
Documentary series Q: Into the Storm delves into the Trump-era conspiracy.
What we know about Holiday’s mistreatment is compelling enough without muddling her history.
The most interesting aspect of the series is how it unintentionally reveals our conflicted relationship with profanity.
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