Gladiator II Is a Lavish, Empty Spectacle
Ridley Scott heard you liked Gladiator, so he thought he'd give you some more gladiators with your gladiator.
Ridley Scott heard you liked Gladiator, so he thought he'd give you some more gladiators with your gladiator.
It's Pretty Woman for the modern age, and one of the best movies of the year.
The famed filmmaker's likely final film is an exploration of the jury system and its flaws.
The series ends with an oddly sweet romp about a mismatched couple on a zany road trip across the American West.
At its core, the oft-denigrated decision revolved around whether the government can censor information leading up to an election.
The comic-book sequel is a dull, dismal, event-free recap of its predecessor.
Francis Ford Coppola's clumsy passion project is an ambitious misfire.
The outrageous seizure at the center of Rebel Ridge resembles real-life cash grabs.
A sad, shallow, and pandering movie that shows the MCU has no real stories left to tell.
Channing Tatum and Scarlett Johansson star in what may be the first romantic comedy about government funding disputes.
Costner stars, directs, and writes in what amounts to a three-hour prologue for a better movie.
Kliph Nesteroff's book Outrageous turns into a screed against conservatives.
In the sequel to 2015's Inside Out, letting kids grow up means relinquishing control.
More philosophical and more Shakespearean than Fury Road, it's another ambitious action extravaganza.
The latest movie in the Apes franchise gestures at interesting ideas about politics and civilizational conflict, but it doesn't develop them.
Private unions have every right to exist, but that doesn't mean they're actually beneficial on net.
It's not a great movie. But it is a great time at the movies.
The former Cheers producer talks faith, ayahuasca, and what it’ll take to bring back the blockbuster comedy.
Plus: A listener asks the editors about the magical thinking behind the economic ideas of Modern Monetary Theory.
A witty, erotically charged three-way love story about tennis, sex, and ambition.
Alex Garland's latest post-apocalyptic thought experiment is a war movie without a take.
Dev Patel's action debut is a righteous, wild revenge film.
A dumb, loud movie that delivers the promised monster beatdowns.
A just-good-enough remake fails to live up to its predecessor.
A story about a young man who just wants to legally work, if only the system would let him.
A charming story of love, friendship, and impersonal urban bureaucracy.
The sequel is about ecology, politics, economics, imperialism, and much more. But mostly it's about worms.
A shaggy roadtrip comedy set against the backdrop of late 1990s right-wing family values politics fails to come together.
Listless and incoherent, it's a sign of the genre's struggles.
The credit "is at best a break-even proposition and more likely a net cost" for the state.
The Inflation Reduction Act of 2022 apportioned billions of dollars for green energy tax credits while also allowing them to be sold to other taxpayers.
The credits cost the state over $1.3 billion per year with a 19 percent return on investment. Lawmakers' proposals will do little to change that.
Plus: Chatbots vs. suicidal ideation, Margot Robbie vs. the patriarchy, New York City vs. parents, and more...
John Stossel and the English actress discuss their shared problem—and why they'd like to destigmatize stuttering.
To fight the King of the Monsters, private citizens must band together.
The new film is an anti-epic about the petty awfulness of history's great men.
Sharp world building and a strong central performance can't save this dystopian disappointment.
In the director's own words, this is "a sequel to five different things."
Sophia Coppola's superb drama tackles an age-gap romance with nuance.
A masterful epic from one of Hollywood's most important, most ambitious filmmakers.
With subplots about bite mark evidence and asset forfeiture, it's a parade of shady cop practices.
Conceptually, it's all a bit vague, but it sure looks amazing.
Plus: IRS insanity, robocop photo ops, and more...
The film dramatizes the pandemic-era mania around GameStop and WallStreetBets, but misunderstands the realities of financial markets.
People should be free to choose how cautious to be. Mask mandates, lockdowns, and closing schools won't stop the virus.
Artificial intelligence is not about to replace your favorite actors.
The former Cheers producer explains why the studios are failing, the writers and actors are missing the big picture, and creators fear their audience.