In Juror #2, Clint Eastwood Puts American Justice on Trial
The famed filmmaker's likely final film is an exploration of the jury system and its flaws.
Hollywood
Venom: The Last Dance Is a Camp Buddy Comedy Disguised as a Comic Book Movie
The series ends with an oddly sweet romp about a mismatched couple on a zany road trip across the American West.
If You See the Trump Biopic Before Election Day, Thank Citizens United
At its core, the oft-denigrated decision revolved around whether the government can censor information leading up to an election.
Joker: Folie à Deux Is a Miserable Musical Slog
The comic-book sequel is a dull, dismal, event-free recap of its predecessor.
Megalopolis Is a Mega Mess
Francis Ford Coppola's clumsy passion project is an ambitious misfire.
A Movie Mirrors the Stranger-Than-Fiction Reality of Civil Asset Forfeiture
The outrageous seizure at the center of Rebel Ridge resembles real-life cash grabs.
With Deadpool & Wolverine, Marvel Has Lost the Plot
A sad, shallow, and pandering movie that shows the MCU has no real stories left to tell.
Fly Me to the Moon Is a NASA Rom-Com that Fails To Launch
Channing Tatum and Scarlett Johansson star in what may be the first romantic comedy about government funding disputes.
Kevin Costner's Neo-Western Horizon: An American Saga—Chapter 1 Is an Interminable Slog
Costner stars, directs, and writes in what amounts to a three-hour prologue for a better movie.
A Brief, Biased History of the Culture Wars
Kliph Nesteroff's book Outrageous turns into a screed against conservatives.
Is Inside Out 2 Secretly About Helicopter Parenting?
In the sequel to 2015's Inside Out, letting kids grow up means relinquishing control.
Furiosa Is a Glorious Apocalyptic Epic From Mad Max Director George Miller
More philosophical and more Shakespearean than Fury Road, it's another ambitious action extravaganza.
Kingdom of the Planet of the Apes Is Just a Lot of Monkeying Around
The latest movie in the Apes franchise gestures at interesting ideas about politics and civilizational conflict, but it doesn't develop them.
No, Unions Aren't Having a Resurgence—and That's Good for Workers
Private unions have every right to exist, but that doesn't mean they're actually beneficial on net.
The Fall Guy Is a Crowd-Pleasing Homage to Silver Screen Stunt Work
It's not a great movie. But it is a great time at the movies.
Rob Long: God is Good, Drugs Are Better
The former Cheers producer talks faith, ayahuasca, and what it’ll take to bring back the blockbuster comedy.
Where Do Libertarians Stand on the Campus Wars?
Plus: A listener asks the editors about the magical thinking behind the economic ideas of Modern Monetary Theory.
Challengers Is the Horny Tennis Movie Hollywood Needs
A witty, erotically charged three-way love story about tennis, sex, and ambition.
Civil War Is a Brutal, Intense No-Sidesing of American Political Divisions
Alex Garland's latest post-apocalyptic thought experiment is a war movie without a take.
Monkey Man Is No John Wick. But It's Invigorating, Politically Potent Action Cinema.
Dev Patel's action debut is a righteous, wild revenge film.
Godzilla x Kong: The New Empire Is Epically, Enjoyably Stupid
A dumb, loud movie that delivers the promised monster beatdowns.
Patrick Swayze's Road House Defined the So-Bad-It's-Good Movie. The Remake? Not So Much.
A just-good-enough remake fails to live up to its predecessor.
Problemista Is a Magical Realist Fable About the Absurdity of America's Immigration System
A story about a young man who just wants to legally work, if only the system would let him.
Oscar-Nominated Robot Dreams Is a Gentle Animated Love Story About Dogs, Robots, and 1980s New York
A charming story of love, friendship, and impersonal urban bureaucracy.
Dune: Part Two Is a Glorious Sci-Fi Spectacle
The sequel is about ecology, politics, economics, imperialism, and much more. But mostly it's about worms.
Drive-Away Dolls Is an Underwhelming Lesbian Noir
A shaggy roadtrip comedy set against the backdrop of late 1990s right-wing family values politics fails to come together.
Madame Web Is a Low Point for Superhero Movies
Listless and incoherent, it's a sign of the genre's struggles.
Audit Finds New York's $700 Million Film Tax Credits Make Little Difference
The credit "is at best a break-even proposition and more likely a net cost" for the state.
Film Produced by Travis Kelce To Benefit From Green Energy Tax Credits
The Inflation Reduction Act of 2022 apportioned billions of dollars for green energy tax credits while also allowing them to be sold to other taxpayers.
Georgia Lawmakers Propose Modest Changes to State Film Tax Credits
The credits cost the state over $1.3 billion per year with a 19 percent return on investment. Lawmakers' proposals will do little to change that.
Guarantors of Poverty
Plus: Chatbots vs. suicidal ideation, Margot Robbie vs. the patriarchy, New York City vs. parents, and more...
How Emily Blunt Copes With Her Stutter
John Stossel and the English actress discuss their shared problem—and why they'd like to destigmatize stuttering.
In Godzilla Minus One, Government Won't Save Anyone When the Crisis Comes
To fight the King of the Monsters, private citizens must band together.
In Ridley Scott's Napoleon, Political Ambition Is Both Pathetic and Horrific
The new film is an anti-epic about the petty awfulness of history's great men.
The Ballad of Songbirds and Snakes Is a Decadent Hunger Games Retread
Sharp world building and a strong central performance can't save this dystopian disappointment.
The Marvels Is the Tedious Culmination of a Lot of Superhero Homework
In the director's own words, this is "a sequel to five different things."
Priscilla Is an Elvis Movie That Isn't About Elvis
Sophia Coppola's superb drama tackles an age-gap romance with nuance.
In Killers of the Flower Moon, Martin Scorsese Plumbs the Depths of American Depravity
A masterful epic from one of Hollywood's most important, most ambitious filmmakers.
Reptile Is a Gloomy Cop Thriller About Law Enforcement Self-Dealing
With subplots about bite mark evidence and asset forfeiture, it's a parade of shady cop practices.
The Creator Is a Pro-A.I., Pro-Freedom, Anti-Imperialist Sci-Fi War Movie
Conceptually, it's all a bit vague, but it sure looks amazing.
Win for Writers Guild, Loss for AI
Plus: IRS insanity, robocop photo ops, and more...
Dumb Money Misses the Point About Its Meme-Stock Underdogs
The film dramatizes the pandemic-era mania around GameStop and WallStreetBets, but misunderstands the realities of financial markets.
Don't Bring Back COVID Authoritarianism
People should be free to choose how cautious to be. Mask mandates, lockdowns, and closing schools won't stop the virus.
Robots Aren't Coming For Movie Stars, Yet
Artificial intelligence is not about to replace your favorite actors.
Rob Long: Welcome to the Age of Blunder in Public Health, Foreign Policy, and…Hollywood
The former Cheers producer explains why the studios are failing, the writers and actors are missing the big picture, and creators fear their audience.
Hollywood Must Change—But How?
Join Reason on YouTube Thursday at 1 p.m. Eastern for a discussion about the Hollywood strikes with television writer and political commentator Rob Long.
When the Hollywood Strike Is Over, What Will be Left?
Between A.I. and TikTok, the actors and writers will be returning to a changed industry.
