The Dirty Pictures That Revolutionized Art
Brian Doherty's history of underground comix chronicles how Robert Crumb, Art Spiegelman, and others challenged censorship and increased free speech.
HD DownloadStarting in the 1960s, a maverick band of young cartoonists like Robert Crumb, Art Spiegelman, Trina Robbins, and Gilbert Shelton starting churning out comic books the likes of which had never seen before. These "undergound" works definitely weren't aimed at kids and they didn't follow the exploits of costumed do-gooders or anodyne high schoolers like Riverdale High's Archie, Betty, and Veronica.
Drawing inspiration from Mad magazine and horror comics that had been subjected to congressional scrutiny in the 1950s, the new "comix" were filled with sex, drugs, and violence; ruthlessly satirized mass culture; and drew the ire of crusaders against obscenity and cultural decline. Yet within a decade, underground comix had become recognized as a vital artistic force in America whose influence is still massive and growing in art, music, movies, design, and more.
Brian Doherty's Dirty Pictures: How an Underground Network of Nerds, Feminists, Misfits, Geniuses, Bikers, Potheads, Printers, Intellectuals, and Art School Rebels Revolutionized Art and Invented Comix, is the definitive history of this vital yet underappreciated aspect of American popular culture. The artists Doherty writes about—many of whom whom went on to win Pulitzer Prizes, MacArthur "genius" grants, and both mass and critical acclaim—shook up popular culture and the high art world while fighting for radical, creative expression in an age of censorship. The lessons from their struggles are particularly prescient for a contemporary world beseiged by cancel culture and all manner of attempts to shut down speech deemed offensive, triggering, or morally suspect.
Doherty is a Reason senior editor and the author of books such as the This Is Burning Man: The Rise of a New American Underground, Radicals for Capitalism: A Freewheeling History of the Modern American Libertarian Movement, and Ron Paul's rEVOLution: The Man and the Movement He Inspired. Nick Gillespie interviews him about comix, their enduring relevance, and the surprising connections between alternative art and political movements such as libertarianism.
This interview was taped live on Monday, June 20, 2022, as part of the Reason Speakeasy series, held monthly in New York City. Go here for podcast and video versions of past events.
Editor's Note: As of February 29, 2024, commenting privileges on reason.com posts are limited to Reason Plus subscribers. Past commenters are grandfathered in for a temporary period. Subscribe here to preserve your ability to comment. Your Reason Plus subscription also gives you an ad-free version of reason.com, along with full access to the digital edition and archives of Reason magazine. We request that comments be civil and on-topic. We do not moderate or assume any responsibility for comments, which are owned by the readers who post them. Comments do not represent the views of reason.com or Reason Foundation. We reserve the right to delete any comment and ban commenters for any reason at any time. Comments may only be edited within 5 minutes of posting. Report abuses.
Please
to post comments
Oh, interesting. Didn't realize he was doing a whole book on it after seeing the article a few weeks ago.
I'm earning 85 dollars/h to complete some work on a home computer. I not at all believed that it can be possible but my close friend earning $25k only within four (09-dky) weeks simply doing this top task as well as she has satisfied me to join.
Check further details by reaching this link.......... http://payout11.tk
Well at least they didn't repeat everything word-for-word except for the video.
Google pay 200$ per hour my last pay check was $8500 working 1o hours a week online. My younger brother friend has been averaging 12000 for months now and he works about 22 hours a week. I cant believe how easy it was once I tried it outit.. ???? AND GOOD LUCK.:)
HERE====)> GOOGLE WORK
"Revolutionized art"
You'll note he didn't say good art or well executed art.
That's always a matter of taste, and he's apparently gotten over his hysterical weekend.
The artists Doherty writes about—many of whom whom went on to win Pulitzer Prizes, MacArthur "genius" grants, and both mass and critical acclaim—shook up popular culture and the high art world while fighting for radical, creative expression in an age of censorship. The lessons from their struggles are particularly prescient for a contemporary world beseiged by cancel culture and all manner of attempts to shut down speech deemed offensive, triggering, or morally suspect.
yeah, except when your Pulizer and MacAurthur-aligned institutions are the one's being skewered, I don't think you're going to see the modern miscreants and nose-thumbers getting that treatment down the line.
So glad we are past "the age of censorship"!
Reframe them as Pull-it-zers and "I Have Returned like a bad check" MacArthur institutions and that's some real rebellion.
By the bye, MAD Magazine and MADTV trashed everybody and the latter was on FOX to boot. They're still available in hard copy and in the ether and the cloud.
Go to 1:12 and see how uncomfortable the modern assessment of free speech is. Seriously. Look how uncomfortable it gets.
Sorry, about 1:14.
I missed something. Were The Jacket and Brian Doherty squirming?
Seemed Doherty was for sure.
Last I saw R. Crumb was being cancelled by the left.
I think some of the inspiration came from 19th and early 20th C. porn too.
"ersatz" used in conversation ... don't hear that every day. Had to look it up, and here I thought I was fairly well read.
Like some Robert Crumb and Mad Magazine, don't know the others, but interesting stuff.
ersatz
ĕr′zäts″, ĕr-zäts′
adjective
Being a usually inferior imitation or substitute; artificial.Not genuine; fake.Made in imitation; artificial, especially of an inferior quality.
"Yet within a decade, underground comix had become recognized as a vital artistic force in America whose influence is still massive and growing in art, music, movies, design, and more."
The above ground comics like superman and the marvel heroes have far far greater influence on the culture with precious little of this vital artistic force in evidence.
Quite a number of noted artists got their start creating propaganda posters for the Bolsheviks (who for a time were as underground as you can get) in the early days of the Russian revolution. Like underground comics, they are cheap and easy to produce and can immediately be understood. Rather than toeing the Bolshevik line, underground comics propagandized 60s counterculture.