The Devils Was Censored 55 Years Ago. Now It's Back, and Its Political Warning Still Holds.
Ken Russell's controversial 1971 film is restored, uncensored, and filling theaters. But will audiences learn from its message?
Ken Russell's controversial 1971 film is restored, uncensored, and filling theaters. But will audiences learn from its message?
His Elizabeth Holmes documentary, You Can See Everything, is a deeply unethical piece of filmmaking.
This is what it looks like when your children are taken by the state.
The high-concept documentary from Nathan Fielder and Lance Oppenheim offers surprising generosity to a Big Tech villain without fully excusing her crimes.
A high-concept misfire deliberately designed to test the patience of viewers.
California and 11 other states weaponized antitrust law until Paramount agreed to film quotas and an oversight board for CNN and CBS.
Zach Cregger's horror–video game adaptation is a pulpy comic delight.
There's “no reason to think a federal incentive would work any differently from state incentives,” says one expert.
and a portrait of a young man as a wannabe writer.
This lean, mean, late-summer romp is dino-mite.
California's attorney general is fighting a merger that 65 countries and the DOJ already cleared. Now, the state may lose thousands of jobs.
In The Purge: but for Sex, everyone takes a crackdown on sexual freedom for granted.
A darker, more adult Spider-Man movie that works best when it's just about Spider-Man.
Apple TV's new horror comedy shows us that succubi and killer clowns are the real result of politicians doing evil in the name of the greater good.
Robby Soave and Christian Britschgi spar over The Odyssey.
It's not woke. It's a rousing analog epic about cracks in the liberal order.
If successful, it could do more harm than good to the entertainment industry.
Studies repeatedly show the credits aren't worth the cost.
The best way to release secret footage of alien life is…local TV news?
Even with copious gore, the new movie is too tame to be a controversy. There's a lesson in its trajectory.
This 20-years-later sequel traces a generation's economic fortunes through the decline of magazine journalism.
Andy Serkis discusses the corrupting nature of power, what Animal Farm says about modern authoritarianism, and whether technology expands or diminishes human creativity.
This one's no thriller.
A movie about marriage, memory, and the difficulty of knowing another person.
The actor previously pushed to repeal Section 230. Now, he is taking his advocacy to the global stage.
A dazzling, ridiculously charming sci-fi adventure from the author of The Martian
A cinematic time capsule from before the vibe shift.
Plus: AI layoffs, Paramount wins Warner Bros., and the Trump-Mamdani bromance.
A problematic hyperpop romance that collides with the manosphere
The Schitt's Creek character, played by Catherine O'Hara, was unapologetically herself and free from ordinary social expectations in a way I'd never seen before and knew I'd never see again.
Matt Damon and Ben Affleck play Florida police officers who stumble into a giant cash stash.
A zombie movie where mystical evil turns out to be a blonde guy named Jimmy.
"When it comes down to it, my life belongs to me," says Timothy Sandefur, author of the new book, You Don't Own Me.
The cartoon's bizarre saga illustrates what's wrong with modern copyright law.
Ari Aster’s pandemic satire is the movie of the year.
An eco-action film that covers too much familiar ground.
A dystopian action cartoon for the Bernie bro set.
Who knew that a Predator movie could be so cute?
A bleak, absurdist take on the gap between the world of HR corporate speak and ordinary Americans
A feisty, cancel-culture provocation that isn't willing to commit.
A pulsing electronic score turns a mediocre movie into a sick vibe.
A fascinating but uneven actor's showcase for Dwayne Johnson.
A fascinating, frustrating film that plays to the sympathies of liberal Hollywood. It's sure to win a lot of awards.
It’s about an authoritarian government, not the demands of capitalism.
Studios certainly appreciate free money, but lower fixed costs on labor are a much better incentive than tax credits they don't use.
A twisted, terrifying follow-up from the director of Barbarian
A fitting follow up to the classic spoofs of Zucker, Abrahams, and Zucker
New from Reason: a look into what Javier Milei has accomplished and what it will take to make the most of Argentina’s window for real change. Out now for subscribers.