The Volokh Conspiracy
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"Preparing for the 20th Anniversary of the Streisand Effect: Cooley v. Afroman"
A very interesting post by Paul Alan Levy (Public Citizen, Consumer Law & Policy Blog), which I reproduce with his permission:
It was almost twenty years ago that Barbra Streisand filed a lawsuit that attempted to block access to a photograph of her oceanfront estate, bringing unwanted attention to the photo and leading to her being enshrined by Techdirt's Mike Masnick in tech/legal terminology as the progenitor of "the Streisand Effect."
Now we have Cooley v. Foreman.
Several police officers executed a search warrant at the home of a musician named Joseph Edward Foreman, who performs under the name "Afroman." Outraged by what he considered rough treatment of his possessions and the lack of justification for the search, he created two songs about the raid and recorded them in music videos, consisting mainly of footage of the search, entitled "Will You Help Me Repair My Door" and "Lemon Pound Cake" (to the tune of "Under the Boardwalk"). He also posted images on social media of the officers who conducted the search and printed Tshirts and other merchandise containing photos of the police officers and of the judge who had signed the search warrant, bitterly complaining about the officers' conduct in searching his house and asking that the judge be voted out of office. He promoted these to his fans who, it appears, responded eagerly.
Police officers may be protected by qualified immunity against claims for damages for most of their misconduct, but they are not immune from public criticism. In an apparent effort to create such an immunity, and represented by Cincinnati lawyer Robert Klingler, the police officers have now sued the musician and the distributors of his music, alleging a violation of the Ohio right of publicity and the common law right of privacy. In addition to highly critical comments about the police officers, the complaint alleges that an Instagram post includes vile references to the one female officer on the raid; I could not locate the original to verify that allegation. The complaint does not allege a claim for defamation, but it does allege false light.
At the time of suit, the police officers had been the subject of unwanted attention among Afroman's fans, but the utter hubris of the lawsuit resulted in widespread coverage in the mainstream media, including the New York Times, NPR, CBS News, and an AP story that has appeared widely. Many of the stories link to the videos, publicizing them further. This is, indeed, how I heard of them.
There is a serious side to this case – Ohio is, after all, the state whose right of publicity laws produced Zacchini v. Scripps-Howard, which rejected a First Amendment defense to a lawsuit complaining about a news broadcast of a "shot from the cannon" act for which the stuntman conducting the act charges. Plainly, this case is different – plaintiffs' raid was not a commercial performance but an action of the government, and the complaint gives no reason to believe that plaintiffs' appearance in uniforms has commercial value, as required for application of the Ohio right of publicity statute. Moreover, several of the statutory exceptions apply, including the exceptions for "dramatic," "historical" "audiovisual" and "musical" works, for material of political or newsworthy value, and for reporting on issues of public interest; there is also a general First Amendment exception. Indeed, many cases recognize a First Amendment right to record the police. Broadcasting the resulting videos and still images is likewise protected.
But I also wondered whether the lawyer who filed this case, not to speak of his clients, had thought about whether the suit would simply bring even greater attention to the clients' participation in the raid. To be sure, these plaintiffs have already taken more of a public beating than Streisand had when she filed her lawsuit, but even so I thought of the plight of James Amodio, who filed a lawsuit over mild criticism of his client in an eBay review without considering the destructive impact that the litigation would have on his client, and who ended up having to pay part of the award of sanctions for frivolous litigation. Amodio later acknowledged that he had got in over his head; we required him to pay only a small part of the sanctions, even though his client was bankrupt and apparently could not satisfy the judgment.
I tried to raise these questions with the police officers' lawyer but he angrily refused to engage, except to note that the public reaction to the lawsuit was hostile.
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The videos are freakin' hilarious. Do yourself a favor and give them a listen on YouTube if you haven't already.
"Under the Boardwalk" isn't rap. and the two linked to aren't either.
Nor are they in any way problematic, IMHO.
Here's an interview: https://www.youtube.com/watch?v=8ZOThtbi-oc
Now, THIS one is much rappyer.
https://www.youtube.com/watch?v=ISe3IVBBbyU
Still, for the cops to sue over it is pure chutzpah.
Is the warrant available?
I think the fact he’s using white people’s music, the kind of music the sherriff would probably listen to, and not rap, makes it even funnier. And more effective.
The Drifters ("Under the Boardwalk") were black.
Maybe I should have said “old folks music.” It’s still the kind of music the sheriff would probably listen to. And that makes it more effective.
Does it even matter if the videos are accurate and truthful presentations of what happened?
Free speech isn't a right conditional on accuracy or truthfulness.
The analysis begins at the other end of the spectrum. "Government misbehaved" and "vote this guy out of office" are messages due a lot of protection.
I was going to read the links but I got high
Damn! Beat me to it.
Because you got high, slows the reflexes, or something
Impossible. I didn't inhale!
Me either, maybe it was the 500mg of Edibles
Through lemon pound cake there shall be peace on Earth.
LPC POE
This lawsuit is BS on stilts. (Now there's a visual.) Sure, I own my likeness, and I have some say about its use--like, for example, a company can't take a picture of me and use it in an advertising campaign. But the likeness is part of the expressive product--and that's First Amendment protected, the profit motive notwithstanding. Afroman is simply reaping what he has sown, and he gets to.
Sorry cops. You lose this one.
I saw “Afroman” and initially thought “oh, the license plate from Seinfeld” but no, that was Assman.
Afroman is pretty funny. Lemon Pound Cake in particular is set to a well chosen tune and fits well with the, uh, shape of the local Sheriff. And there’s a third song - “why you disconnecting my video camera”.
Ultimately maybe there’ll be an album.
Million to one Shot Doc, Million to one!!!!!!
I thought "Afroduck", who achieved internet fame by posting a video of himself driving around Manhattan in 24 minutes and 7 seconds. He was sentenced to a year in jail for conspicuously disrespecting authority but had already fled home to Canada by the time sentence was pronounced. (Per Road and Track, "The border crossing was trouble-free, even without Tang’s Canadian passport, which he had turned over as a condition of bail. To get home, he just needed his birth certificate and driver’s license.")
The New York City area is full of license plate readers and security cameras. There are transponder readers off of toll roads just to check where your car has been going. If they want to get you for driving like a YouTuber the evidence is waiting. Normally they don't go out looking.
"whether the suit would simply bring even greater attention" -- You could raise that question about a lot of lawsuits for libel, false light, and similar claims.
I'm puzzled why the lawsuit has a claim for false light and not defamation. In the video, Afroman accuses cops of stealing his money while the video shows cops at least inspecting his cash. That seems like a straightforward factual claim by Afroman, which is either true or false (per se defamatory if false). I would imagine these cops deny the charge, so why no defamation claim?
Well, they seized the cash, and had to return it, which falls under a broad definition of stealing.
Also, Afroman claims that there was $400 missing, and to win the cops would have to show actual knowledge that that was false.
And in any case, it's a rap video.
Yeah, I suppose in this context "stealing" could be understood as wrongfully seizing his money, and not a claim that the cops personally pocketed it.
The confusion arises from the fact that the police initially claimed they had seized $5,031 in cash and returned $400 less than that. When pressed, they announced they had "miscounted". Afroman clearly does not believe their story or their motives.
Given such factors as their disabling of the surveillance system and a charge on the warrant of "kidnapping" which they really don't seem to want to talk about, I am disinclined to argue with him.
Its a plausible charge, with evidence for it. They seized cash, counted it, returned less. Afroman doesn't claim to know exactly what they took, apparently, but he is not required to give them the benefit of the doubt, IMHO.
I watched one video. The line about stealing was paired with a video of cops handling his money. He showed a clip of a search warrant earlier. "Stealing" is opinion based on disclosed facts.
Cops should know:
“You can beat the rap, but you can’t beat the ride.”
Have a nice ride.
The videos are great!
And if the First Amendment doesn’t protect this, what worth anything does it protect?
Scanning the case, Afroman is mostly in the clear based on the artistic works exception. That'll cover the videos, concerts, t-shirts, etc.
The case is slightly stronger wrt the times he used the images directly in an advertisement (eg 23.i.): "Good Moring Ladies The hatchbacc of Adams KKKounty said to get my New Album LEMON POUND CAKE SEPTEMBER 30TH."
The video I watched had almost 5 million views. If he is monetized he should have enough money to fix his door, gate, and cameras.