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The Science of the Tender Passion
Pushkin's great description of his great antihero.

For complicated reasons (having nothing to do with own biography!), I was just reminded this morning about Alexander Pushkin's famous Lothario Eugene Onegin, and one of my favorite stanzas from that novel-in-sonnets. Here is James Falen's brilliant translation (not quite as good as the original in this instance, I think, but still first-rate):
I have no leisure for retailing
The sum of all our hero's parts,
But where his genius proved unfailing,
The thing he'd learned above all arts,
What from his prime had been his pleasure,
His only torment, toil, and treasure,
What occupied, the livelong day,
His languid spirit's fretful play
Was love itself, the art of ardour,
Which Ovid sang in ages past,
And for which song he paid at last
By ending his proud days a martyr
In dim Moldavia's vacant waste,
Far from the Rome his heart embraced.
Perhaps I am overreading this, but the Ovid reference seems to me not just a nice classical touch (as well as a reference to Pushkin's own internal exile to Moldavia), but a foreshadowing of Onegin's own eventual emotional exile. "The art of ardour" is a reference to Ovid's Ars Amatoria, and a pretty close translation of that phrase. But I like Pushkin's version better—наука страсти нежной, the science of the tender passion.
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I have no leisure for retailing
The sum of all our hero's parts
A true lesson for the ages: if you don't spend enough time practicing with your firearm, you will be unable to shoot straight in a duel.
For the view that it's neither art nor science, but a skill that anyone can master, there's Gilbert's "A Man who Would Woo a Fair Maid."
I stood at Pushkin's grave in the place that was called Pushkin in communist times with one thought---Dantes-Gekkem was a Frenchman who thoroughly deserved shooting! I mean the guy not only was trying to seduce Pushkin's wife Natalia, he was married to Alexander's sister!
Poetry meets tragic soap opera.