Review: Did We Really Need Another Squid Game?
The third season of the Netflix series lacks the moral nuance that made the original so compelling.

The third—and, if there's any mercy, final—season of Netflix's Squid Game sputters to an end after abandoning everything that made the show a global phenomenon. What began as a brutal but thought-provoking critique of debt, desperation, and inequality devolved into cartoonish villainy and a vision of humanity so bleak it makes the idea of living through the show's deadly games preferable.
Season Three picks up after a failed uprising that briefly appeared capable of toppling the Squid Game world's perverse system, in which hundreds of contestants compete in deadly versions of childhood games for a chance to win a life-changing cash prize. We're tossed back into the vicious contests with even more vicious contestants. Gone are the nuanced characters of Season One—instead we get moral archetypes so exaggerated that one side is represented by a literal newborn, the other by people willing to kill it.
None of the few compelling characters survive, and fans who've stuck around to see some long-awaited justice are left utterly unsatisfied. A side plot about a detective hunting for the game's secret island in order to expose those responsible could be cut without affecting the storyline.
Though created as a commentary on the social and economic landscape in Korea, the show clearly struck a chord around the globe. Anyone paying attention in the United States can see powerful people reveling in cruelty against those they deem less than human. But that's never been the whole story, in life or this show. There is real goodness in most people—a kind of goodness that resists cruelty, protects innocents, and fights back. Squid Game once understood that. We still need stories that do.
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Is this what normies watch?
There is real goodness in most people—a kind of goodness that resists cruelty, protects innocents, and fights back. Squid Game once understood that.
See also: Star Wars, Indiana Jones, Mad Max, Superman, Matrix, Alien, Jurassic Park, The Mummy, Jumanji, every single Marvel movie going back to the 90s (but worse once Disney got involved), etc etc. And that's just sticking to film.
Instead, every pointless sequel, prequel, reboot, reimagining, alternate take, or homage is just an obvious attempt at cashing in on someone else's success, adding no merit or originality of its own and simply trading off of existing fandom and nostalgia.
And really, that's the problem with our entertainment industry in general. We stole two (maybe three) generations of critical thinking away from people by giving them "higher education," and as such there is little to no imagination anymore (to say nothing of the need to tiptoe around wokeness). Comedy has been reduced to blank poop/sex jokes; Action has been reduced to characters without arcs fighting computer-generated bad guys; Adventure openly nods to old tropes as they try to cross all their intersectional boxes; Thriller/Horror have become pointless gorefests. It's all just schlock.
Squid Game S2-3 wasn't made to tell us a compelling story. If you think it was, then you're wrong. It came to say, "Wow, you really liked Squid Game S1, let's see how much more of your interest we can bleed outta that." Even the director was like, "I told my story, a second season seems pointless." But he was bullied into it anyway (or it was taken away from him by producers).
(On a personal note, the one that pissed me off - and still does to this day - more than anything else in the world: Cube. Its two bastard children did not even remotely understand what their predecessor was about. Not even slightly.)
>>The third—and, if there's any mercy, final season
are you ... required to watch?
Second and third seasons are rarely as good as the first season.