How To Blow Up a Pipeline Unintentionally Indicts the Climate Movement's Fringe Activists
The movie wants to be a call to arms for climate activists. Instead, it portrays them as delusional, apocalyptic depressives.

How To Blow Up a Pipeline is an effective film in more ways than one. Not only is it a tense, terse, small-budget heist-style thriller, more indebted to Reservoir Dogs than An Inconvenient Truth, it's also a subtle—if entirely unintended—indictment of the climate movement's violent fringe activists.
Adapted from Andreas Malm's 2021 nonfiction polemic of the same name, How To Blow Up a Pipeline isn't a step-by-step guide to destroying oil company property, but rather a depiction of what it would take for a small group of climate radicals to build and detonate explosives intended to block the flow of oil, driving up the price of fossil fuels, and—they hope—inspiring copycats who will further increase the cost of business as usual for the fuel industry.
As such, the movie takes two tracks. The first is essentially mechanical, with a clandestine band of diverse young eco-activists gathering together in West Texas to build a series of oil drum–sized bombs that they intend to use against a pipeline. The movie derives considerable suspense from the physical basics of the process, which are always fraught with the possibility that, rather than their intended targets, the bomb makers will blow up themselves.
The second, however, is psychological. Each of the activists gets a backstory, explaining how they came to believe that violence was necessary. Inevitably, the backstory shows that they are neurotic, anxious, distressed, and hopeless about the state of their own lives and the larger world. They doomscroll, they drink, they wear ski masks and trash property in Portland, they pick pointless fistfights with random energy company employees in North Dakota. They insist that fossil fuel companies are responsible for the deaths of billions and believe that peaceful protests are futile.
Some, at least, have grief that is specific to the fossil fuel industry, including a Texas man who lost his family property to an oil company via eminent domain. But even in the most sympathetic cases, it's not remotely obvious how blowing up a pipeline would actually help their own specific issues. It's an act of rage and retaliation, not a solution to their problems.
And their ultimate plan is frankly ludicrous: Not only do they intend to inspire copycats, they plan to get caught, go to court, and make the case that their actions were justifiable as self-defense, establishing a legal right to further eco-terrorism.
How To Blow Up a Pipeline may not be intended as an explicit justification for violence by climate activists. It does, at times, note the likely costs of such action. But the filmmakers are clearly sympathetic to their cause, to their plight, to their belief in the necessity of violence, and it treats its little army of activist protagonists as heroes. But in the process of psychologizing their decisions, what it demonstrates is that the fringes of the climate activist movement are populated by delusional, too-online, apocalyptically-minded depressives who have chosen to blame fossil fuel companies for their own despondency. There's real truth to this portrayal of agitated neurotics pointlessly lashing out, but it's not the rousing call to arms the filmmakers seem to think.
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No. See something, say something. Nothing about this is good, even the ability to describe the principals as idiots.
AFAICT, it’s more “don’t see something (this movie), don’t say something (like you should go see it)”. Just from the previews, it seems unintentionally more tropy than On Deadly Ground, Fight Club, and Enemy of The State without being more entertaining. More of the “It must be worth something, it’s independent! It’s based on a book!” B.S. from people who think something is automatically awesome because they haven’t seen it before or think it “vibes” with their culture (the way Steven Segal has “vibed” with mall ninja* culture for 3 decades).
*Seriously, the preview explicitly shows the manufacture of blasting caps, the soldering of control boards, the activation of an LED timer, and ANFO manufacture, and then goes on to show slow match fuses, and people shooting at a barrel full of ANFO. Anybody who's launched a model rocket or shot a target filled with tannerite, or even seen a YouTube video of either, knows this is like a preview of a Fast and Furious movie preview where they trick out a car with nitrous, crank it over by hand, and then blow it up by shooting the gas tank.
With which I'm okay.
I should be clear, I agree it shouldn't be an instructional video, but it's one thing to make a Ford vs. Ferrari, another to make whatever version of Fast and Furious we're up to, and another still to make something as, if not more, cartoonish as the latter and pretend it's the former. And, the movie does this on several fronts. I see people cheering Sasha Lane and Forrest Goodluck, but they could not be more terribly typecast and then seem to fail to be notably better than their typcasting and the typecasting itself is rather overt diversity-for-diversity's-sake BS.
We've seen whiny, AW(adjacent)FLs (with dreadlocks!) going back to Lisa Bonet playing Denise Huxtable and we're on, what, the 300th generation of Native Americans playing Native Americans who still carry around the cultural scars of their heritage. A diverse heist cast makes sense if you're making a movie where they trot the globe and drive sexy cars in sexy dresses or rip off a casino, or 3, in Vegas. But if you're going to make a quasi-documentary like The Bank Job, you should have mostly-white, mostly working class criminals. A legacied-Texan who joins up with urban African Americans, Native Americans, and Seattle Grunge-Hippies to inspire other eco-terrorists to blow up lines on other peoples' property? You might as well just have a film where Black Hebrews, disaffected Israelis, Muslim Immigrants, and Klansmen team up to strike a blow against Zionism. Even then, such a film could have some interesting and novel points about watching the group coalesce or tear each other apart, but this film seems to consider/portray them as a heroic model for how to pull off the bombing, which is retarded.
"Instead, it portrays them as delusional, apocalyptic depressives."
Ah, so a documentary
We'd also accept "portrays" in scare quotes.
Cue Center For A Constructive Tomorrow & Heartland Institute dispatching busload of true believers to Telluride and Sundance to glue themselves to Earth Day Film Festival screens
the
fringes of theclimate activist movement are populated by delusional, too-online, apocalyptically-minded depressives who have chosen to blame fossil fuel companies for their own despondency.FIFY
"...How To Blow Up a Pipeline isn't a step-by-step guide to destroying oil company property..."
With a title like that I'd assume it was a US Navy training video.
Filmed in the Baltic Sea?
Conspiracy - Mike.
We have a winner!
What an utterly trash movie. Thanks for warning me. Not that I had any intentions of ever seeing it, but in case I ever find myself in a drug and alcohol induced fit of madness, I can be sure to avoid it.
"the filmmakers are clearly sympathetic to their cause,"
Well see, that is the problem. When the activists start saying the quiet parts out loud, you know that we have a serious problem in our culture. No more than ten years ago, the journey of these basketcases would be treated as a hazard map- "this is how we went from noble cause to evil". But that irony is gone. The quiet part is that all these climate activists feel their justifications are real, valid justifications. So they have no reason spouting these justifications without any sense of irony.
Disagree with timeline, maybe 60 years ago. But PETA was funding people like Rodney Corondo. I think your 2010 may have more to do with 911 and the citizenry's lack of tolerance for terrorism and activists quieting their retoric in response. But in the 90s many ecoterrorists were championed.
As recently as 10 years ago, PETA were considered extremist nuts. That gave way to be "misunderstood" or "Well meaning but misguided". And now they are considered authorities.
These people actually believe that doomscrolling on twitter is a legitimate reason people want to blow up pipelines.
"As recently as 10 years ago, PETA were considered extremist nuts. "
You are confused. Less famous groups like Animal Liberation Front and the Earth Liberation Front were involved in criminal activities. Not PETA which successfully concentrated on publicity campaigns like 'I'd rather go naked' posters of celebrities against the use of fur in the fashion industry.
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Bullshit. While PETA may not be bombing anything yet, the blood campaigns aimed at children were appalling. The propaganda comics and the bucket of blood protests outside McDonalds.
https://www.peta.org/blog/mommy-kills-animals-take-2/
" the blood campaigns aimed at children were appalling. "
Appallingly effective. McDonald's now offers vegan options. And you still remember PETA's campaign after decades have past. Long after you've forgotten ALF etc even existed.
The cause is not, and never was, noble
When I read this headline I no-shit thought it was about the US attack on Nordstream2.
this. I thought "this is how Brandon sugarcoats it to the Krauts"
For the non-psychotic: Russia damaged Nordsteam2. Only those suffering from extraordinary psychological decomposition pretend to think otherwise.
Evidence??
Anxiety is the driving force in politics. I don't know that this is new, but it's new that young nitwits are willing to describe the anxiety that drives them.
The bottom half of the distribution doesn't want the stress of making decisions and being poor. They define a "living wage" as not having to worry about "basic necessities." These movie characters are trying to salve their own anxiety, not solve a specific problem.
it portrays them as delusional, apocalyptic depressives.
If you’ve watched any of the Just Stop Oil activists in the UK, they pretty much portray themselves that way. And hoo boy do regular working class folks hate those people.
I dunno, this seems like an extremely realistic portrayal. I might watch this movie. This seems to be a bitch about a movie that realistically portrays adherents to the Nazi ideology in the runup to WWII-- as produced by a Nazi.
"How To Blow Up a Pipeline may not be intended as an explicit justification for violence by climate activists."
Then again, it may indeed be so intended.
But, whether or not that was the intention, I'm betting it will be the result.
>>climate activists ... as delusional, apocalyptic depressives.
hate to spoil the party bro, but ...
How To Blow Up a Pipeline may not be intended as an explicit justification for violence by climate activists. It does, at times, note the likely costs of such action. But the filmmakers are clearly sympathetic to their cause, to their plight, to their belief in the necessity of violence, and it treats its little army of activist protagonists as heroes.
That's a twisty-turney way of saying that someone who feels violence is justified, and makes a movie about it doesn't really intend to justify violence.
Instead, it portrays them as delusional, apocalyptic depressives.
Because they are. That sentence is the most succinct and accurate summary of the climate change cult that I've seen in a while.
Driving up the price of oil - that will really show those oil companies!
Also, spilling millions of gallons of crude oil - that will really protect the environment
”that, rather than their intended targets, the bomb makers will blow up themselves.”
We can only hope.
It worked for the Weather Underground.
"They insist that fossil fuel companies are responsible for the deaths of billions " Yeah, um...no. Quite the opposite.
What a disappointment. Even the redneck doesn't look good shirtless.
I bet if the filmmaker really wanted to win an Oscar he would change it up and have far-right characters blowing up wind turbines and solar farms.
I don't think that concept would work.
Band of MAGA hat-wearing misfits blow up Wind Turbines, solar farms and other green energy facilities, lowering the cost of energy by tens of dollars per KWh.
I actually thought an Office Space-style satire might work. A random group of nitwit office workers stuck in the on-off-on-off shadow of a wind turbine can't figure out how to make a bomb so they hatch a plot to wait for the wind to stop blowing so they can climb up and stick a wrench in it. In the interim, the turbine catches fire and burns to the ground. The movie ends with them paying $2.15/gal. for gas, driving to work, and sitting happily in the undisturbed sunlight shining in the window of their office.
>>blowing up wind turbines and solar farms.
Don Quixote 2023 Sancho Panza trained by the Sinaloas
I would actually pay to see that with the one caveat that it must be a comedic satire.
my entire waking existence is comedic satire. I'll get to work.
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They are what they are.
As long as they're not using guns or disrupting an electoral certification, I really don't have a problem with it.
OBL, is that you?
"but it's not the rousing call to arms the filmmakers seem to think."
They call it 'direct action,' and it's meant to be an attack on the state rather than a call to arms. Such activities are usually resorted to when demonstrations, petitions, leaflets and the like have proven inadequate. People who engage in direct action take steps to avoid being caught. The idea of intentionally getting caught and making your case in a show trial is civil disobedience, and these actions aren't typically violent: sitting in the top of a tree, chaining yourself to a gate etc.
For a second I thought Reason was going to actually talk about the results of Seymour Hersh's investigative journalism.
Silly me.
There's real truth to this portrayal of agitated neurotics pointlessly lashing out, but it's not the rousing call to arms the filmmakers seem to think.
That's because all the agitated neurotics pointlessly lashing out are already on the filmmaker's side.
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" the filmmakers are clearly sympathetic to their cause, "
This may count as actors emulating special effects as Director Goldhaber grew up in the shadow of the National Center For Atmospheric Research, where his parents work coding climate models.
He seems however more attuned to the trippy tripping point rhetoric of the Ban The Gas Stove crew at the Rocky Mountain Institute, as his view of climate change fast forwards the science by an order of magnitude or two:
"We’re on a timeline of years or months, not decades, to solve this problem."
https://vvattsupwiththat.blogspot.com/2023/04/how-to-stop-worrying-and-set-off-bomb.html
Still using "vv" instead of "w" in the web address to draw people to a bogus site, I see.