Review: Milei's Rise Through the Eyes of One of His Critics
The Embrace is a short documentary following a struggling tango dancer amid Javier Milei's election.
The Embrace is a beautiful, mournful look at modern Argentina through the eyes of Caro, a woman who quit her job as a notary at 40 years old to dedicate herself to tango. The short documentary, directed by the New York–based filmmaker John Owens, is set against the backdrop of President Javier Milei's election, and Caro is struggling.
"They're not going to pay me a salary for teaching tango lessons," she says into the phone shortly after election night. "How do you fight what the people chose?" glistening dancers ask each other on the street.
Punctuated by dire-sounding news clips about abortion rights and funding for women's services, it's clearly an anti-Milei political film. But the politics are conveyed almost exclusively as a wave of negative emotion. The film is a brief, poetic counterpoint for those who are optimistic about the Milei era but want to understand those who feel differently. … [Subscribe to continue reading]
Read the full story when when you subscribe to Reason Plus.
Free minds and free markets: Independent journalism on politics, culture, and ideas since 1968.
Become a subscriber
Digital access for $25/year
Unlimited online access & the magazine
- Every article, every issue, every archive going back to 1968
- The print or digital edition delivered monthly
- Subscribers-only newsletter from the editor
- Listen to every article with our audio player
Cancel anytime. Or give a Reason Plus subscription as a gift..
Already have an account?
Log in to keep reading.
Log In
Enter the code from your authenticator app to finish logging in.
You're already a member. Log in to keep reading.
We sent this story to your inbox because you're one of our subscribers. One quick login and you'll be reading in seconds.
- Your subscription includes digital access
- Log in once and stay logged in for 1 year
- Resume reading exactly where the email left off