The Volokh Conspiracy
Mostly law professors | Sometimes contrarian | Often libertarian | Always independent
A very interesting article in Foreign Affairs by my UCLA School of Law colleague Kal Raustiala; here's an excerpt:
What sets the United States apart from the rest of the world is and has always been its soft power. The Soviets may have equaled the Americans in nuclear capability, but they could never rival the appeal of the "American way of life." And even as China tries to spread its culture across the globe, its rise tends to inspire more trepidation than admiration.
Many ingredients combine to give U.S. soft power its strength and reach, but entertainment and culture have always been central to the mix. Film and television have shaped how the world sees the United States—and how it perceives the country's adversaries. Yet that unique advantage seems to be slipping away. When it comes to some of the great questions of global power politics today, Hollywood has become remarkably timid. On some issues, it has gone silent altogether.
The most glaring example is the growing wariness of U.S. studios to do anything that might imperil their standing with the Chinese government. China's box office is as large as the American one, and entertainment is above all a business. So Hollywood sanitizes or censors topics that Beijing doesn't like. But the phenomenon is not limited to China, nor is it all about revenue. Studios, writers, and producers increasingly fear they will be hacked or harmed if they portray any foreign autocrats in a negative light, be it Russian President Vladimir Putin or North Korean dictator Kim Jong Un.
It wasn't always this way. In the 1930s, Charlie Chaplin's The Great Dictator took on Adolf Hitler. Later, Martin Scorsese's Kundun shone a light on the fate of Tibet, and The Unbearable Lightness of Being and The Hunt for Red October made the Cold War come alive. Today, the market power of China—and the cyberpower of some rogue states—is making studios and creatives think twice about producing such daring, overtly political films. And as the retreat from the kind of films that once bolstered American soft power accelerates, Hollywood is running out of real-life antagonists….