Ed Krayewski on Inchon, Noah, and Faith-Based Filmmaking
In the October 1984 issue of Reason, David Brudnoy wrote that conservatives "have a grudge against Hollywood, and against movie critics, too." But they had failed to create a sustainable alternative. While some movies may contain clear liberal biases, Brudnoy noted, movies funded by conservatives didn't do well. 1982's Inchon, for example, was "the most phenomenal money-loser of all time."
What happened? Brudnoy wrote that Inchon was "virtually impossible to sit through, embarrassing even to those who liked its politics." Better movies, though, didn't necessarily do bigger business; Brudnoy cites 1983's The Final Option, which "stood forthrightly against the left and for the established verities" but bombed in the box office. Brudnoy suggested "the right wing doesn't attend the cinema," and that is part of why conservatism didn't have influence in Hollywood.
Thirty years later, writes Ed Krayewski, it's still possible to find antipathy toward Tinseltown among the religious right.
