Monday I suggested that the overlap between the audiences for Fahrenheit 9/11 and The Passion of the Christ was probably "much larger than those noxious Red and Blue stereotypes would suggest."
Now I see this in The New York Times:
Mr. Moore and Mel Gibson…are fans of each other's work. Asked if he had seen Mr. Gibson's film, Mr. Moore lighted up.
"I saw it twice," Mr. Moore said. "It's a very powerful film. I'm a practicing Catholic. My film might have been called 'The Compassion of the Christ,' though. The great thing about this country is the diversity of voices. When we limit the voices, we cease being a free society."
When Mr. Gibson walked to the press room lectern, he and Mr. Moore seemed delighted to meet each other.
"I feel a strange kinship with Michael," Mr. Gibson said. "They're trying to pit us against each other in the press, but it's a hologram. They really have got nothing to do with one another. It's just some kind of device, some left-right. He makes some salient points. There was some very expert, elliptical editing going on. However, what the hell are we doing in Iraq? No one can explain to me in a reasonable manner that I can accept why we're there, why we went there, and why we're still there."