Charles Paul Freund from the October 2008 issue

The work's most striking feature is its obvious mimicry of record sleeve art, complete with "blurbs" paying tribute to "Satchmo" the "Good-Will Ambassador, TV, Motion Picture and Recording Star" who "thrilled the largest audience ever to attend a Dixieland Concert." The work is dominated by a vast crowd with Armstrong towering above it, making music while engaging in the eye rolling that was central to his stage persona. Armstrong was clearly proud of his stardom and willingly imagined himself in a purely commercial idiom.
Maybe his graphic art was also a response to the criticism: a portrait of the artist "who adds to his popularity with every performance."
Charles Paul Freund is a contributing editor at reason.
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