Transcendental Goods

Charles Murray discusses art, accomplishment, faith, and doubt.

Charles Murray is the W.H. Brady Scholar in Culture and Freedom at the American Enterprise Institute in Washington, D.C. His 1984 book Losing Ground: American Social Policy, 1950-1980 was a devastating dissection of welfare programs and is widely credited with helping inspire the welfare reforms of the 1990s. In 1994 he co-authored the immensely controversial The Bell Curve: Intelligence and Class Structure in American Life. (reason's critique of the book, authored by future Nobel laureate James J. Heckman, is online. And in 1997 he wrote an eloquent defense of human liberty, What It Means to Be a Libertarian: A Personal Interpretation.

Last fall Murray published Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 B.C.-1950 (HarperCollins). As one reviewer summarized it, "Murray sets out to describe the main human achievements from 800 BC to 1950 in music, literature and the visual arts, as well as medicine and the physical sciences. He also tries to identify the institutions, beliefs and practices -- the culture -- that facilitate outstanding achievements." In December reason Science Correspondent Ronald Bailey and Editor-in-Chief Nick Gillespie met with Murray to discuss Human Accomplishment.

reason: Why did you write this book?

Charles Murray: I wrote a book that I wanted to read. I am fascinated by greatness. I am fascinated by people who operate at the edges of human capacity, and I am also fascinated by excellence in different cultures.

reason: You argue that the "transcendental goods" are vital to motivating human accomplishment. What are they?

Murray: Truth, beauty, and the good, in the classic sense. The proposition is that artistic achievement and scientific achievement used ideals of the transcendental goods as source material. In some cases, as inspiration. In other cases, as templates against which you measure yourself.

reason: You say that we're in an era of decline -- that the rate of human accomplishment has slowed in both the arts and the sciences -- because we've turned our backs on the transcendental goods.

Murray: With the Enlightenment, we started a whole series of major acquisitions of new knowledge about how the world works. These were important and real and had great amounts of truth to them. They also played hell with the old verities. I'm thinking of the rule of reason as against traditional religion. I'm thinking Darwinism. I'm thinking of Freud. And Einstein.

In all sorts of ways, you had body blows to the ways of looking at the world that gave concepts such as truth, beauty, and the good their meaning. Take the good as the obvious example. If we are bundles of chemicals and religion is irrelevant and we have no souls, etc., etc., etc. -- I can go through the whole litany -- the good is sort of stripped of texture and richness.

reason: But the Enlightenment view is essentially correct, right? We are chemicals....

Murray: Here's the central dilemma. If the new wisdom is correct, then all of the anomie and the alienation and the nihilism and the rest of it make a lot of sense. As I note in the book, if that's all true, then one novelist suggests that all we can do is maintain a considered boredom in the face of the abyss. There have been a wide variety of efforts in the 20th century to come up with a rationale for positive action, but I actually think that the only way to maintain one's energy and sense of purpose is by being deliberately forgetful. That's why Camus was so miserable. He couldn't be forgetful enough.

I'm an agnostic, but I should add that I think the most foolish of all religious beliefs is confident atheism.

reason: So you're laying down a 21st-century variation of Pascal's wager? You don't really believe the transcendental goods are ordained by God, but we have to act as if they're true if we want to live purposeful lives?

Murray: You're right. I'm not a believer, but I am also not nearly as confident as intellectuals were 50 or 60 years ago that I do know the truth. I am much less willing to say, boy, was Johann Sebastian Bach deluded [because he believed in God].

reason: What do you think of the conservative argument that there really can't be morality without religious belief?

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