Tim Cavanaugh | December 7, 2005
In Slate, Tom Shone takes a swipe at Alan Moore and Dave Gibbons' Watchmen as the seminal "graphic novel" approaches its 20th anniversary:
Alan Moore's Watchmen, originally published in 1986, was the comic-book series that supposedly revolutionized the industry, defrocked the superhero, and invented the graphic novel at a stroke. Yet reading Watchmen today is a distinctly underwhelming experience. Its fans would say that is appropriate: The world's first anti-heroic comic book is supposed to be, well, anti-heroic. The mode is pyrrhic, deflationary, its tone deadpan, spent. Either way, like a math savant at a party, the book seems to shrink from the hullabaloo surrounding its approaching 20th anniversary.
I haven't felt the need to open my one-volume edition of Watchmen in quite some time, so it may be true that it doesn't live up to the fond memories, but Tom Shone is a douche who has made a career of policing signs of highfalutinitude in American culture. (That the silly Yanks shouldn't try to get above themselves is the implicit argument in his poorly selling book Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer.) He seems to want to blame Watchmen for changing comics from a pop medium into a pompous genre that's sold in bookstores and reviewed in The New York Times—an argument I'd normally sympathize with, though I wouldn't blame a one-off comic series for the change. But his argument against Moore (like Shone an English writer with a primarily American readership, but one who takes pleasure in introducing highbrow machinery into lowbrow media) amounts to an objection to the literary parodies that ended each Watchmen issue. This is a criticism? I remember those parodies being what the English would call "spot-on" renderings of the hipster-sycophancy of Rolling Stone interviews, the weird overedification of specialty (or "speciality") magazines, the quibbling that goes on in popular histories, and so on. In any event, it's a good bet 90 percent of the book's readers skipped these all-text bits without noticing anything missing.
But Shone buttresses his argument that Watchmen was "more a triumph of writing than draftsmanship" by disparaging Dave Gibbons' drawings—a feature of Watchmen discussion since the book first appeared. I never grokked the hatred people seemed to feel for Gibbons' plain drawing style, which got across a vast amount of information about locations and historical periods while making the important points (that Dr. Manhattan was DC's version of the Silver Surfer, etc.). My favorite Moore bit is "The Bowing Machine," with the more daring drawings of Mark Beyer, but would anybody want Watchmen to have punk illustrations?
If there's an obvious criticism of Watchmen, it's that it has what may be the stupidest plot resolution in the history of comics. It was a distinct letdown when all the smoke and mirrors turned out to be preparation for a hokey plot twist which I won't give away, in case anybody hasn't read the book after all these years. So, in the language Shone believes Americans should be using, I'll just say: Watchmen roolz, Tom Shone droolz.
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yeah the golden guy stops the war by fakeing an alien invasion.
:)
then the psyco guy gets killed...
Ha, I bought and read Watchmen this past weekend, so you failed to spoil it, Joshua! (And I'm not making that up, I really did.)
Also, I think the most accurate complaint about Watchmen is that the EC Comic pirate substory at the newstand carries on way longer than is necessary to get the point. I stopped about halfway through and skimmed ahead to read all the panels dealing with that story separately to get it out of the way before returning to the main plot.
Well, the pirate story and the main story comment on each other,
so you miss a bit if you do it that way.
I reread Watchmen earlier this year and I wasn't surprised
to find that it holds up very well. The more substantial question
is: Will I still like V for Vendetta? Haven't looked at
that one in 15 years.
Dr manhatten was dc's silver surfer??? I always thought of him
as a Mr fantastic (elastic man?).
and silver surfer had a reason for being withdrawn from
humanity...he was a friggin alien.
Dr Manhatten was just an asshole. :)
The lame ending probably doesn't seem so bad to someone who
reads it today. But if, like me, you spent an entire year reading
and re-reading each issue, looking for clues, marking off the days
until the next issue came out (hard to believe I couldn't get laid,
eh?), then the ending was infuriating.
And for all my analysis, I must have really missed the boat on
DocMan. I thought he was supposed to represent Superman, the one
super hero whose powers were so strong that he made all the other
heroes redundant.
He seems to want to blame Watchmen for changing comics from
a pop medium into a pompous genre that's sold in bookstores and
reviewed in The New York Times...
It's not the frist time someone who scribbles in the NYT snobbishly
sneered at pop culture. A few months ago, one Sven Birkerts wrote
that science fiction could never be considered literature.
God forbid the comics industry, which was well on its way to
collapse 20 years ago, try to shore up its numbers by producing
trade paperbacks and jettisoning the convoluted continuity of the
past 50 years.
I've said before, I've always disliked the ending of Watchman, but
the weave of the story is wonderful.
Jesse, I just reread Vendetta a month ago, and was surprised how
queasy some of it made me. Also, there's a certain stripped-dpwn
storytelling that is rare for Moore.
Moore's best stuff was his run on Rob Liefeld's Supreme, the middle
book of Promethea, and D.R and Quinch.
Dr, Manhattan was based on Capt. Atom (Night Owl on Blue Beetle,
etc.). He has no resemblence to Norrin Radd. He's not trying to
regain his humanity, he doesn't strive for freedom, and he has no
real compassion for humanity.
I picked up a copy of this after reading about it here several
months ago.
I really liked it. Really the only "complaint" that I can come up
with is that Watchmen is very much plugged into the
zeitgeist of the late 1970's and 1980's. Everything from the art
style to some of the thematic elements (electric cars, nuclear
annihilation, riots, cancer scares, etc.) just reinforces this. But
I really got a kick out of it.
And Tom Shone's attempt to end his column with snooty anti-snootery
("We-e-e-ll, if you simply must know, I
much prefer the childish storytelling of "The Incredibles" to
Watchmen) rings hollow, because I have yet to see a PiXAR film that
didn't deal in heavy philosophical themes, even if in an
abbreviated format. That Shone seems to fail to recognize this
means that in my book his name will now reside under a column
titled "Sanctimonious Twats to be Ignored."
I'm female. I therefore have absolutely no clue what this thread
is about (something to do with COMIC BOOKS??)
...but I loved the headline!
Oh, and yes, I will admit that I did indeed bitch about
Watchmen being left-leaning.
Still doesn't keep it from being interesting as all get out.
Tim,
Who will watch always where under where/when in doubt? I know the
"where under where" is a modern joke, but I think I'm missing
something here. Or, to put it more succinctly:
"What's this, then? 'Romanes Eunt Domus'? 'People called Romanes
they go the house'?"
Oh, and yes, I will admit that I did indeed bitch about
Watchmen being left-leaning.
Interesting. I never really thought of The Watchmen as being left
leaning. I understand from interviews that Moore never intended it
to be taken this way, but I think most readers of the comic, myself
included, view Rorschach as the hero of the story. His decision to
die rather than be party to Ozymandias'insane plan created the
comic genre's first genuine libertarian martyr.
I just read Watchmen for the first time about a month ago
and i thought it was excellent.
I was born in 1984, so i didn't grow up with fear of world
anihilation that is so central to the story. Perhaps that makes it
all a bit foreign to me, and im willing to admit i may have missed
the boat on some of it. Regardless of all that, it still is an
excellent piece of storytelling. Sure the end is somewhat lame, and
im not a big fan of the art style (though i'll admit it is fitting
somehow) but overall it is a very good read.
As to this fellow's criticisms, my guess is that it is just another
uncreative jerk trying to make a name for himself by tearing down
other people's work. That and the fact that picking on comic books
is a tried and true past-time make the watchmen and appealing
target.
Something something "always where under where" is all I could
translate from the headline...so much for my 4 years of HS
Latin.
Can somebody translate? So that the unwashed masses can laugh at
the joke, too?
Wait I just googled "Quis Ipsos Custodiet" and "dubi"...so now I
have "Who watches themselves always where under where in doubt". Is
that right? I have sneaking suspicion that Cavanaugh doesn't really
know Latin.
"What's this, then? 'Romanes Eunt Domus'? 'People called
Romanes they go the house'?"
Sadly, that's about where my formerly good Latin skills have since
plummeted to.
if the watchmen watch us who watches the watchmen
i speak no latin it is a complete guess
smacky, just be sure not to screw up your Latin grammar when painting graffiti in the Forum.
Pro Libertate,
I'll be careful. I promise.
While I was Googling the bogus Latin, I found another great bogus
Latin phrase:
Cum catapultae proscriptae erunt tum soli proscript catapultas
habebunt.
Joshua, I think that's Quis ipsos custodiet custodes.
And whither the ubi sub ubi? That's "where under where",
which is a joke all kids forced to take Latin apparently learn. And
dubi is doubt.
Is there a Latinist in the house? Anyone, anyone?
It's Latin gobbledy-gook. The semper ubi sub ubi isn't even
proper grammar, just an English joke. But I liked the ubi dubi part
(which I think was the point of it)
Man, now it's not funny anymore.
smacky, that would make a great t-shirt slogan for our Second Amendment members. Who we'd like to welcome at this time.
Cum catapultae proscriptae erunt tum soli proscript catapultas
habebunt.
Nice. But I wonder about the cum. Is it cum, or something along the
lines of cuando? It's been (ahem) several years since I last
studied Latin, as well.
Quis Ipsos Custodiet - "Who Watches the Watchmen", a phrase akin
to: who keeps an eye on those in authority (like who keeps a watch
on CIA agents rendering people to be tortured in Egypt?)
semper ubi sub ubi - as mentioned, a Latin jokester's favorite,
"Always Wear Underwhere"
Dubi - well, doubt I guess. My Latin is rusty.
Soooo, here's a guess...."I doubt those who watch [or maybe read]
the Watchmen always wear underwear." Is this a jab at God-fearing
comic book geeks (like me)?
Damn you Tim Cavanaugh...[shakes fist into air]
linguist, cum (meaning "when") is called for in the subjunctive, right? As for cuando, that sounds Spanish to me. I must've been living in Tampa too long.
And before anyone says it, cum also can mean "with."
Like cum laude while wearing underwear.
I'm so confused. What hath Tim wrought?
I think linguist meant quando perhaps?
I'm no speaker of Spanish, but I'd guess that cuando is
the equivalent form in Spanish.
"smacky, that would make a great t-shirt slogan for our
Second Amendment members. Who we'd like to welcome at this
time."
Meh. I've always been fond of ΜΟΛΩΝ ΛΑΒΕ!
mediageek, that could be engraved on the catapult :) I had to look that one up (all: it means, "Come and get them"). The phrase has an interesting history. Apparently, it was the Spartan king Leonidas' reply at Thermopylae to Xerxes' offer to spare the Spartans' lives if they disarmed.
mediageek,
I have a degree in ancient Greek....having to Google the phrase you
posted further reinforces my belief that trying to master ancient
Greek as an English speaker is an utter waste of time.
I also found this quote while googling it:
"A fear of weapons is a sign of retarded
sexual and emotional maturity." -Sigmund Freud
Discuss.
linguist, cum (meaning "when") is called for in the subjunctive,
right?
Yeah, that sounds right. One problem with being a linguist is
sometimes you forget which language is which. Latin didn't use si
for subjunctive, it used cum. (Cuando? Where in my brain did THAT
cum frum?)
smacky, I've been reading Frederick Copleston's History of
Philosophy off and on, and I could use your skills. The
bastard keeps throwing in Greek phrases in Greek letters without
any effort to translate them. I know enough to figure out when he's
saying ate or hubris and a few others, but it's a painful lesson in
my ignorance, otherwise.
As for Freud, does that mean a love of weapons is a sign of healthy
sexual and emotional maturity? Did those words really mean what he
thought they meant?
smacky, I've been reading Frederick Copleston's History of
Philosophy off and on, and I could use your skills. The bastard
keeps throwing in Greek phrases in Greek letters without any effort
to translate them.
Pro Libertate,
Feel free to email me if you have questions, although I can't
guarantee I could answer them. My email address is real minus the
"nospam." part.
I know enough to figure out when he's saying ate or hubris and
a few others, but it's a painful lesson in my ignorance,
otherwise.
Ha. Yes, classicists are experts at making other people feel
ignorant. Don't take it personally. They even like to make other
classicists feel ignorant.
Re: Leftism of Watchmen
Rorschach was based on The Question, a masked vigilante detective
created by Steve Ditko. Moore has said in interviews that he meant
Rorschach as a commentary on Ditko's Objectivist views, which he'd
expressed oftimes in Question stories (and which dismayed Moore
because they were so "right-wing"). So Moore presented Rorschach as
a the only sort of right-winger he seems to believe in - an
uncultured, judgemental, brutal, lower-class thug.
And yet, in the end, Rorschach is the most detailed character and
the closest thing to a good guy in the story.
Released the same year as Frank Miller's The Dark Knight
Returns-which turned the Batman mythos on its head and emptied it
into the gutter...
I will agree that Watchmen and The Dark Knight
Returns had an unfavorable impact on comics, but this had
nothing to do with the quality of either work. The problem was that
a lot of second-rate (and more importantly, third-rate) writers
tried to imitate these works by aping superficial tones of grimness
and cynicism instead of trying to accomplish complexity and
depth.
DKR, for instance, has far more variation in mood and tone
than pretty much any imitator.
Akira: It's not the frist time someone who scribbles in the
NYT snobbishly sneered at pop culture. A few months ago, one Sven
Birkerts wrote that science fiction could never be
considered literature. I haven't decided on Shone
yet, but you've convince me on Birkerts: Call the FEDerales and
tell 'em he's in league with Al Queda...... Wow! Extraordinary
Rendition does have legitimate uses!
.....................
On second thought, lets not, otherwise I'd have to start supporting
the neo-con's naked aggression.
"D.R. And Quinch" was much funnier when it was "O.C. And Stiggs" in the National Lampoon.
O sibili, si ergo! Fortibus es en ero. O nobili, demis trux! Si vatis enem: causam dux.
"A fear of weapons is a sign of retarded
sexual and emotional maturity." -Sigmund Freud
Discuss.
And here I thought that being afraid of being shot stabbed or blown
up was rational. Of course, I've never been accused of being
emotionally mature.
And yet, in the end, Rorschach is the most detailed character
and the closest thing to a good guy in the story.
What about Nite-Owl? He was out of shape and dorky, yet still
managed to steal the most powerful man on earth's girl while
defying the Keene Act. Sounds like a role model to me.
Cum catapultae proscriptae erunt tum soli proscript
catapultas habebunt.
Although my knowledge of Latin is very limited, I shall try to
translate this.
cum = a word used in some kind of terrible, unclever pun by every
pornsite in the world.
catapultae = catapults.
proscriptae = forbidden.
erunt = undersized and electronic.
tum = antacid tablet.
soli = solely.
proscript = forbid.
catapultas = catapults.
habebunt = have to bunt.
Hmmmm ... no, I'm not getting it.
Rorschach being the "good guy?" Are you daft? He would've been willing to bring the world to nuclear war purely on the basis of his absolutist principles. He is a sympathetic chararacter, but he's also insane.
"Rorschach was based on The Question, a masked vigilante
detective created by Steve Ditko. Moore has said in interviews that
he meant Rorschach as a commentary on Ditko's Objectivist views,
which he'd expressed oftimes in Question stories (and which
dismayed Moore because they were so "right-wing"). So Moore
presented Rorschach as a the only sort of right-winger he seems to
believe in - an uncultured, judgemental, brutal, lower-class
thug.
And yet, in the end, Rorschach is the most detailed character
and the closest thing to a good guy in the story."
Archie Bunker syndrome.
I have a degree in ancient Greek....having to Google the
phrase you posted further reinforces my belief that trying to
master ancient Greek as an English speaker is an utter waste of
time.
Sorry. Don't a speak a lick of ancient (or modern) Greek. :-/
I also found this quote while googling it:
A fear of weapons is a sign of retarded
sexual and emotional maturity." -Sigmund Freud
Discuss.
I haven't seriously looked, but haven't actually been able to turn
up a citation to an actual publication by Freud.
Even if true, it doesn't change the fact that Freud was a seriously
disturbed fellow.
Still, it's a helpful meme for deconstructing the "guns are a
phallus substitute" derision often heaped upon gun owners by
pseudo-intellectual statists.
And here I thought that being afraid of being shot stabbed or
blown up was rational. Of course, I've never been accused of being
emotionally mature.
David, the statement is in reference to a fear of weapons, not of
bodily injury or death. There is no reason to fear an inanimate
object, be it a kitchen knife, shotgun, or broadsword. Approach
with caution and seek education? Certainly. But fear? No.
Loved Watchmen, all three times I read it. To argue that it intellectualized the comic industry is ridiculous; there's still plenty of crap out there for those who want it.
What about Nite-Owl? He was out of shape and dorky, yet
still managed to steal the most powerful man on earth's girl while
defying the Keene Act. Sounds like a role model to me.
But he doesn't accomplish much of anything. He's a largely passive
figure who goes along with what's happening.
Rorschach being the "good guy?" Are you daft? He would've
been willing to bring the world to nuclear war purely on the basis
of his absolutist principles. He is a sympathetic chararacter, but
he's also insane.
He wasn't willing to go, "Oh, OK then," to mass-murder on a
monumental scale, which is what the other characters essentially
do. The comic also, of course, leaves the value of the act in
question.
Dr. Manhattan was Captain Atom. The whole cast of characters was one step removed from the Charlton line; this is a matter of public record by now.
so wait could dr manhattan actually see the future or was he just faking seeing the future as an excuse to avoid his disastor of a life...i mean i don't think he ever really predicts anything in the comic..he just says he knew that was going to happen after it happens (ok he does predict he will make his wife cry...but that doesn't mean anything...anyone who has ever had a girlfriend or a wife knows full well how to make thier significant other cry)
Was a big fan of Watchmen when it came out. My complete
ignorance in latin didn't seem to hurt my enjoyment of the
book.
You're right, the pedestrian ending had no place in the great story
told before.
But, I think you misread the entire piece. It wasn't the hatchet
job you suggest.
so wait could dr manhattan actually see the future or was he
just faking seeing the future as an excuse to avoid his disastor of
a life
Dr. Manhattan's situation is exactly like that of the protagonist
of "Slaughterhouse Five" -- he perceives his entire lifespan, often
out of sequence, but has absolutely no free will in what he does
(actually, nobody does -- he has some line like "we're all puppets,
I'm just a puppet who can see the strings"). So yes, he can see the
future (and the past, and the present), but since everything is
predetermined, his own actions included, in effect that doesn't
mean much. The main effect is to alienate him from humanity.
I have to disagree about the quality of the ending, by the way. The
"fake alien invasion" thing was cheesy, but the point is that it
didn't work -- the truth was going to come out, and the war was
going to resume. I saw it as a commentary on cheesy deus ex machina
comic book endings.
The Latin is a joke. As most people have probably guessed
already, it's just "who watches the Watchmen?" and "Always where
under where," so I guess it would be "Who watches the Watchmen
always where under where?" You'd have to get Cavanaugh in here to
explain what the hell he meant when he threw in "doubt" at the end,
though.
What about Nite-Owl? He was out of shape and dorky, yet still
managed to steal the most powerful man on earth's girl while
defying the Keene Act. Sounds like a role model to me.
He only got the girl because Dr. Manhattan could already see what
wass coming, and so consequently didn't do anything to stop it. And
he wouldn't have done anything if not for Rorschach and the chick
practically shaming him into it.
I thought what made Watchmen so good was the way it was so
clear-eyed in showing just what happens to aged superheroes. These
sort of person who is unbalanced enough to dress up in spandex and
beat the hell out of suspected criminals can't possibly be a
paragon of sanity. These people don't get happy endings unless one
happens to fall into their lap, and even then they'd almost
certainly screw it up.
Showing that even "heroes" are fucked up is always a valuable
public service.
The "fake alien invasion" thing was cheesy, but the point is
that it didn't work -- the truth was going to come out, and the war
was going to resume
You think so? I thought the opposite. Tyranny was going to continue
because the alien attack led the Soviets and Americans to realize
how much they had in common, and work together to control the
world. I mean, propaganda posters extolling the virtues of the new
Soviet allies aren't the sort of thing suspscious government
officials are going to allow unless they expect the truce to
stick.
Cum catapultae proscriptae erunt tum soli proscripti
catapultas habebunt (proscripti, not proscript)
It means, "with catapults forbidden" (or "when catapults are
forbidden", doesn't alter the sense) "then only outlaws will have
catapults."
But I suggest that a more elegant translation would use the
ablative absolute:
"catapultibus proscriptus, solibus proscriptibus catapultae" which
is better Latin but means the same thing. (Literally "with
catapults having been forbidden, only outlaws [will be] with
catapults").
Sorry.
"With catapults forbidden, catapults will only be with outlaws"
should be the translation. It's not an exact equivalent, but I
rather like the grammatical parallelism of putting catapulta in the
ablative plural in the subordinate clause, and mirroring it with
proscriptus in the ablative plural in the main clause - just as in
the English slogan, of course.
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