Scott Eastwood and Orlando Bloom in a top-drawer war story.
Walter Duranty and The New York Times have blood on their hands in this historical re-enactment.
Into the Dark: Good Boy and The Vast of Night draw inspiration from the good ol’ days.
Amazon Prime Video's latest feature is a smartly made indie sci-fi film from an incredibly promising first-time director.
Races reopened without fans this weekend, to mostly good reviews. Sports and entertainment are shifting to serve social-distancing needs.
Starring Tom Hardy as the aging crime kingpin, the movie is an intriguing failure.
It’s the Zoom happy hour of blockbusters.
The new service was built for a world that no longer exists. Yet it may still end up being relevant to the one we now inhabit.
Friday A/V Club: Daniel Tucker discusses his documentary Local Control: Karl Hess in the World of Ideas—and we also screen the movie itself.
Offbeat options for waiting out the apocalypse.
This occasionally competent sci-fi action film is best enjoyed from the comfort of a couch.
Did the outrage that caused it to get shelved also return? (Spoiler: It has not)
Women on top and trapped at the bottom.
At This Year's Vegas Porn Expo, Everything People Think They Know About the Internet and Adult Entertainment Is Wrong
The internet has turned adult performers into media entrepreneurs.
In Greta Gerwig's new adaptation, Amy finally gets some credit but Jo's hustle gets short shrift.
"You're in no position to lecture the public about anything. You know nothing about the real world."
What do hotly contested high school class presidency elections—set 20 years apart—teach us about our attitudes toward politics?
The final film in the Disney-era trilogy is a pointless, abysmal letdown that won't fully satisfy anyone.
We found a lot of things to worry about over the past 10 years.
Clint Eastwood's masterful true-life drama about a wrongly accused American hero doubles as an awkward brief for Trump.