Nick Gillespie | March 9, 2009
Writing in Entertainment Weekly, Ken Tucker weighs
in on Watchmen, which easily snagged top box
office honors this weekend in the nation's theaters, despite
being a "political" movie.
No matter what you may think are the flaws in director Snyder's version of Alan Moore's book, it does one thing consistently and assiduously: It seizes upon Moore's long-standing sympathy for '60s-style politics, strips away much of Moore's bluster (that's one of the advantages of having to pare down the novel), and hammers at the idea that Nixonian politics don't work. Even the libertarian sentiments spouted by the movie's Rorschach, positioned in the movie as its most interesting figure (thanks to a combo of his CGI mask and Jackie Earle Haley's terrific performance) are viewed by Moore/Snyder as Walter Kovacs's one crucial character flaw.
Watchmen is the most "political" movie in theaters now, and will be seen by many people who'd never dream of going to a Michael Moore documentary or of Netflixing All The President's Men (I caught at least two shout-outs to Woodward and Bernstein in Watchmen). Pretty soon if not already, those who disagree with Alan Moore may start inveighing against the movie. They'll argue about the cleansing power of...what? Liberalism? (Let the "masks" coexist with ordinary citizens!) Anarchy? The nihilism some people (not me) believe is inherent in the movie's violence and sex? Pretty soon those people—mighty Rush Limbaugh, perhaps? explodin' Bill O'Reilly?—may come to see Watchmen as a ripe target. Me, I think it's just more evidence that pop culture works in mysterious ways that even its creators cannot predict.
I reread the original comic book (urm, graphic novel) over the weekend and I was surprised at how well I thought it holds up. And Tucker is certainly right that the meta-politics of Watchmen remains far more relevant to today's world than the ones rumbling around in Alan Moore's other big work, V for Vendetta does. The closely entwined dreams of hubris and world unity in the face of a (manufactured) existential threat in Watchmen track in a bizarre and coincidental way with that new man in the White House's overreaching and the worldwide banking panic/meltdown/depression/recession/you name it much more than did the relatively uncomplicated (read: retarded) paranoiac terrorism in V for Vendetta (funny how the 9/11 attacks made Guy Fawkes much less of a good-time guy).
But I still agree with Tim Cavanaugh that Tyler Perry is probably the most interesting filmmaker around today.
Reason's Brian Doherty on Rorschach's Randian worldview here. Peter Suderman pans the flick here. And Todd Seavey says he's take Dr. Manhattan here.
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I'll reiterate what I said in the last Watchmen topic:
*Spoilers*
The movie definitely hilighted the fact that Rorschach was an
unstable sociopath (let's be honest though, none of those
characters were very heroic, they did what they did based on some
sort of neurosis). Also I think the movie pointed to HL Menken's
quote "The urge to save humanity is almost always a false front for
the urge to rule." Honestly, was Ozymandius going to give up
"control"? If anything, he was probably intent on expanding his
empire to "save the world".
I didn't really get anything Randian from it. It was almost like a
parody of what Moore would have deemed Objectivism to be, except he
forgot the point about non-coercion. Everything these heros do is
coerce humanity to their beliefs. Rorschach acts as his own judge,
jury and executioner based on his own moral premises (which may or
may not line up with any laws the "state" may have). The only thing
even remotely seen as objectivist was his walking out to reveal the
"truth" at the end. Even then, his motives for that path aren't
quite square with any objectivist. He seems quite intent on
punishing Ozymandius for his crimes than any thought about the
"right" path. He views them all at that point as "compromised",
"weak" individuals.
While I would approve of revealing the truth to humanity, because
these sorts of lies tend not to be overly effective in any case
(give it another 20 years and another few world leaders and
conditions will probably be ripe again for nuclear holocaust), the
"Watchmen" were just fucked up individuals with good fighting
skills/technology with Dr. Manhatten being the parody "God" figure
who lost all credibility with me after the Mars scene with Lori
(when I read the book, not watched the movie).
I know alot of people are going to come away missing the dark
bitter irony Moore was putting forth because things move too fast
in a movie to absorb enough of the details, but that's what made
the book so good. The redeeming features of the characters aren't
nearly as good as their flaws and to a young cynic like myself, its
the ultimate last laugh on the idealistic superhero fans, a "fuck
you" from Moore that makes "Watchmen" as good as it is.
libertarian sentiments spouted by the movie's
Rorschach
Huh? I liked the movie a lot, but Rorschach was more like an
unleashed Sheriff Arpaio IMO.
I'll reiterate what I said in the last Watchmen
topic
Jeez, even the comments are reruns.
No wonder people think we're wack jobs -- we point to comic book charecters as our libertarian avatars...
Personally, I see the movie/comic as a condemnation of Progressivism and paternalistic leaders.
Can you please stop using "Who watches the watchmen" puns? Its been done. A lot. Move on.
As an aside, at the Iacocca/Veidt scene, in the theater I was
in, every single person snickered at the "socialism" line. It was
not, by any stretch, a polite chuckle.
It should give you an idea of how effective the current "but it's
socialism!!!" rhetoric is playing amongst the
population.
Even the libertarian sentiments spouted by the movie's
Rorschach, positioned in the movie as its most interesting figure
(thanks to a combo of his CGI mask and Jackie Earle Haley's
terrific performance) are viewed by Moore/Snyder as Walter Kovacs's
one crucial character flaw.
People keep saying this shit, yet I have no idea what the fuck they
are talking about. What did Rorschach do/say that was
"libertarian"?
Regardless, Kovacs was far and away the most interesting--and
sympathetic--character in the movie. Every person I saw it with,
several of whom were fans of the graphic novel, agreed.
Ele,
Maybe they were laughing because the notion that free energy =
socialism is laughable. That does not indicate whether they
understand that quasi-nationalizing the banking industry and
massively redistributing wealth is socialism as it is commonly
(mis)used to label a welfare state ballooning out of the bounds of
reason.
Also, and this might be a local phenomenon, did the rest of you
have like 20 or 30 7-12 year-olds in your audience? WTF? About half
of them left after the Čerenkov
Penis swung past a few times. Why do we even have ratings if no
one is going to read them?
People keep saying this shit, yet I have no idea what the
fuck they are talking about. What did Rorschach do/say that was
"libertarian"?
Rorschach is an analog of an explicitly Objectivist character
(two
really) that was created by Steve Ditko. Just another part of
the Objectivist=libertarian=moral absolutist=psychotic blood
libel.
About half of them left after the Čerenkov Penis swung past
a few times.
The MPAA goes apeshit over full frontal dicks ("Too many dicks on
the dance floor..."), yet they let Dr. Manhattan walk around like
Harvey Keitel in Bad
Lieutenant. Why?
Also, and this might be a local phenomenon, did the rest of you have like 20 or 30 7-12 year-olds in your audience? WTF? About half of them left after the Čerenkov Penis swung past a few times. Why do we even have ratings if no one is going to read them?
I saw it in downtown Detroit on Friday, and not only were there a
few dozen kids, but many were much younger than 7, including three
babes-in-arms that I spotted. I overheard one dad asking his
five(ish)-year-old son if he was excited to see "Watchman." None of
them left at any point.
Then again, this audience also laughed their asses off
during the entire rape scene. A handful of people clapped,
and several shouted encouragement to the screen. A
pre-pubescent boy yelled "don't take shit from her!" There was
similar laughter and encouragement during the scene in the
Vietnamese bar.
I no gender feminist who gets the vapors at the mere mention of
sexual violence, but as a solitary female in a city with a pretty
high violent crime rate that was scary as hell.
And BTW: "Your fingers taste like licking a battery." Up there with worst pillowtalk ever. Dr M could give her a shame-free DVDA and she gets fussy because he's saving the world at the same time?
lola, I was in Boston for the showing and there was no laughter
at such scenes. Everyone was very serious, there were no children,
and the theater was full. Maybe Detroit is just a shithole.
FrBunny, never feel bad for making an offensive, sexually graphic
statement. It's that much the better for following lola's.
Then again, this audience also laughed their asses off
during the entire rape scene. A handful of people clapped, and
several shouted encouragement to the screen. A pre-pubescent boy
yelled "don't take shit from her!" There was similar laughter and
encouragement during the scene in the Vietnamese bar.
Even a Kentucky audience didn't do any of that. That's not a
male/female difference of perspective, that's a human/whatever the
fuck they've got in Detriot difference of perspective.
Then again, this audience also laughed their asses off
during the entire rape scene. A handful of people clapped, and
several shouted encouragement to the screen. A pre-pubescent boy
yelled "don't take shit from her!" There was similar laughter and
encouragement during the scene in the Vietnamese bar.
No similar reaction here in RI. Maybe the people near you are just
fucked up (not that that's much consolation). There also were no
children at my showing under fifteen or so.
On the other hand, I did see a number of five-to-seven year olds at
The Dark Knight screening I went to, which I thought was
pretty inadvisable. And my personal favorite filmatic child abuse
moment was when a friend and I went to see The Passion of the
Christ in the theatre and the entire front half of the room
was filled with Christian youth groups.
As to the Socialism thing, no the snickering here seemed to be in
direct proportion to people's reaction to how *ominous* Iacocca was
trying to make it sound. As if socialism is the bogeyman, a
conversation ender, an argument winner. The invocation of the devil
himself.
That shit just makes people laugh. I think it has to do with the
obviously distorted equivalency it tries to make, namely that
Soviet communist socialism was horrible, and therefore all
socialism will lead to Soviet horror. An equivalency which is
absurd and idiotic and makes people think those who espouse it
should by no means be taken seriously.
Epi - Not "bad", just dirty.
And if lola's description was portrayed in a movie, I
would call the director a ham. If true, Detroit is fucked up.
No such reaction here in North Carolina. Dead silence, except for the noise of a few people leaving the theater. There were no children or anyone under 16 that I saw. The theater was at 70% capacity.
And furthermore, as an avid game player uncomplicated plans are usually the most effective. Calling uncomplicated plans retarded is itself greatly retarded.
When are they going to adapt Betty and Veronica graphic novels
to the big screen?
It could be dark and edgy: Jackie Earle Haley as Jughead; long
think pieces on Mr. Lodge as an avatar of Misesian praxeology; the
fate of Archie's jalopy vs. the future of a reduced-emissions
environment. Reggie's moral code may be shocking and twisted, but
dammit, he lives by it, and you have to admire that!
"The MPAA goes apeshit over full frontal dicks ("Too many dicks
on the dance floor..."), yet they let Dr. Manhattan walk around
like Harvey Keitel "
I never did understand why nudity is something people freak over.
We are far too puritin (though thankfully not as Puritanical as
Saudi Arabia). Do Bonobos suffer psychological problems because
they see nude Bonobos all the time? Has there been a study of
rainforest tribal peoples that proved they are all suffering
because everyone walks around nude? C'mon give me a break.
The blue man's little man was in too many scenes. They could
have cut it from two of the scenes and that would have been a more
appropriate amount. At the current level, it's almost like a
drinking game.
I imagine parents and kids walked out due to the violence. I liked
it, but would not recommend the movie for anyone under 13.
I really wanted to like this movie, but they seriously tried to
pack too much background in. It reminded me of LOTR:The Two Towers
in that way; there were periods where the main plot was thrust
aside for 20 minutes or so while the director thought it was a good
idea for us to sit through a character study.
The parts with Rorshach were awesome; the parts with the Comedian
and Ozymandias were pretty well done and in any case necessary to
the plot. But seriously cut out the pointless and insipid romance
between SS and NO, as well as Dr M's quantum explorations.
I didn't notice Manhattan's membrum virum during his first
few scenes. When I did, it didn't bother me except that it seemed
awfully small. Did it get shriveled up by the "Intrinsic Field"
accident? Note to self: immediately purchase tachyon-proof athletic
protector.
About half of them left after the Čerenkov Penis swung past
a few times.
Thanks for RUINING the entire movie! Jerk.
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