Brian Doherty | January 16, 2007
Ben Schwartz in the New York Times discusses the glorious golden age of comic strip reprint projects we are currently living through--a phenomenon I've celebrated both at the American Spectator and here on Hit and Run.
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The Peanuts books are fantastic. I have purchased each one the day it came out. My only complaint is why on earth they are only producing one per year.
I don't care how nicely printed or well-curated the collected
Peanuts reprints are.
They still aren't funny.
I treasure my Far Side collections. But honestly, most comics mystify me. I used to read Doonesbury back in the day. I grew out of all the "quaint" stuff like Hi and Louis, For Better or Worse, etc. And I never understood why anyone would read stuff like Apt 3g or Gasoline Ally. No plot, no humor, no point at all as far as I could tell.
"I don't care how nicely printed or well-curated the collected
Peanuts reprints are.
They still aren't funny."
No accounting for taste. I would, however, reccomend that you read
the ones from the 1960s and 70s when Shulz was really on his game
before you make that statement. I will be the first to admit that
he wasn't that funny anymore in his last few years.
I taught myself to read by pouring through Peanuts
collections. I will probably pick those up as well just to be a
good consumer.
Looking back, I never really thought that they were supposed to be
funny.
John,
I don't know. I've got a Peanuts collection from when Violet and
Pig Pen featured prominently. It's easy to spot the punch lines,
but I'd look down my nose at anyone getting a good belly laugh out
of it. There's some cultural commentary, and a little post modern
folk wisdom, but it's all so wishy-washy. Nothing I'd consider
insightful or well crafted.
"Nothing I'd consider insightful or well crafted."
I would have to go back through the books to give good examples and
I won't bore everyone with them. Pick up the 1960 through 1962
collection in a book store sometime and just read. I think you
might change your opinion. They are really a dark and well crafted
view of the human condition.
The words comics and restoration should not be used in the same sentence if used in a complimentary sense. Any comic fanboy should know this.
If the NYT wants to help save newspaper comics, why
don't they start printing some?
Kevin
I highly recommend Art Out of Time: Unknown Comics Visionaries 1900-1969 by Dan Nadel. A fine survey of dozens of unjustly forgotten artists.
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