Brian Doherty | April 13, 2004
The long-awaited by children of all ages megablockbuster film based on Edgar Rice Burroughs' Martian novels (many of them starring John Carter, stalwart confederate soldier transported to Mars basically by imagining himself there) is in peril, at least as announced, thanks to the machinations of trade unions here on Earth.
Robert Rodriguez, slated to helm the pic (yes, I've been reading too much Variety lately) quit the Director's Guild of America recently so that he could co-direct his current project, Sin City, based on Frank Miller's comic book, with Miller himself. The DGA doesn't permit co-directing credits.
Alas Paramount, the studio behind the John Carter of Mars flick, has a deal with DGA that it doesn't use non-union directors. Rodriguez has quit and rejoined DGA before, in order to take part in the four-director Four Rooms, so there is a possibility he might be able to rejoin in time to make the film, but union rules may end up hobbling ol' John Carter on the brink of the cultural megastardom so cruelly denied him all these decades in favor of his Burroughs created brother-in-fantasy Tarzan.
Considering that Rodriguez allegedly shot his breakthrough film El Mariachi using only change he found underneath washing machines and old Bazooka Joe wrappers, just imagine what he could have done with John Carter with Paramount's franchise-minded blockbuster dollars. O, cruel unions!
Help Reason celebrate its next 40 years. Donate Now!
Try Reason's award-winning print edition today! Your first issue is FREE if you are not completely satisfied.
Why would Jimmy Carter go to Mars?
Why would anyone make a movie about Sim City?
And most importantly, where are my glasses?
I am delighted to hear that they are making Sin City into a
movie, especially if it's got Miller's involvement.
Will it be in black & white?
I am delighted to hear that they are making Sin City into a
movie, especially if it's got Miller's involvement.
Will it be in black & white?
"Considering that Rodriguez allegedly shot his breakthrough film
El Mariachi using only change he found underneath washing machines
and old Bazooka Joe wrappers, just imagine what he could have done
with John Carter with Paramount's franchise-minded blockbuster
dollars. O, cruel unions!"
I remember after I saw El Mariachi, I thought basically the same
thing. I assumed that Rodriguez would be able to make even better
movies with bigger budgets. But all of his movies since then have
basically been crap. Did you see "From Dusk Till Dawn"?
rodriguez is awesome. sin city will be awesome. hopefully princess of mars will be awesome.
"Considering that Rodriguez allegedly shot his breakthrough
film El Mariachi using only change he found underneath washing
machines and old Bazooka Joe wrappers"
Actually, he funded the movie by selling his body for medical
experimentation at a local pharmaceutical testing lab. Which to my
mind, is an even better story.
Unfortunately, bigger budgets do not make better movies. I think
Desperado, the big budget remake of El Mariachi, traded the humor
and quirkiness of the original for expensive action
sequences.
I am really coming to the conclusion that starving artist produce
better work. Artist really seem to require some sort of external
constraint to produce really good stuff.
This story simply can't be true. Everybody knows that unions
only exist to protect working people like Mr. Rodriguez.
It says so on the label. ;^]
"I am really coming to the conclusion that starving artist
produce better work. Artist really seem to require some sort of
external constraint to produce really good stuff."
Gee, thanks. I'm a professional musician. I appreciate that you
want me to starve.
It's a myth. Artists need time and space and sustenance, which are
all provided by money. I think this myth perpetrates because many
artists only have one really good idea (like El Mariachi) and they
blow that when they are young and don't have any money yet.
I'm not optimistic about the movie, so I can't really care who
directs it. All of my favorite childhood books got butchered by
movies (think Starship Troopers), so I have no reason to think
hollywood can do any better with John Carter.
Historical footnote: the first full-length animated feature is
generally considered to be Disney's Snow White from 1937.
However, Warner Brothers had earlier plans to make an animated film
from Burroughs' Mars books, in the splashy, pulpy John Coleman
Burroughs style:
http://www.erbzine.com/mag9/0934.html
http://www.erbzine.com/mag3/0341.html
http://www.erbzine.com/mag3/0350.html
All I want to know is: who will play Dejah Thoris, and will she be wearing the same sorts of gauzy, minimalist costumes depicted on the covers of my '50s-edition paperbacks?
DGA doesn't allow co-directors? Didn't know that. So are the Farrellys and the Coens not DGA members either?
The DGA does allow exceptions from time to time but according to
their newsletter you basically have to have learned to direct
together
(http://www.dga.org/dga_members/agencyupdates/agency-update-spring-03a.pdf).
Hence the Hughes Brothers, the Wachowsky Brothers, et al.
According to IMDB, the Coen brothers have only officially
co-directed their most recent release, The Ladykillers. Joel was
the sole credited director on all of their previous films. The two
of 'em also co-edit their films under the alias "Roderick
Jaynes".
All of my favorite childhood books got butchered by movies
(think Starship Troopers)
What are you talking about? Everyone knows Heinlein was a fascist
pig with arachnophobia and a bizarre ankle fetish. I was being true
to his vision.
As a veteran, there is at least one aspect of Star Ship Trooper
I heartily approve of.
Of course, I would accept lifetime exemption from income tax for
all combat veterans.
Dejah Thoris, daughter of Mors Kajak, Jeddak of Mars -
"And the sight which met my eyes was that of a slender, girlish
figure, similar in every detail to the earthly women of my past
life. She did not see me at first, but just as she was disappearing
through the portal of the building which was to be her prison she
turned, and her eyes met mine. Her face was oval and beautiful in
the extreme, her every feature was finely chiseled and exquisite,
her eyes large and lustrous and her head surmounted by a mass of
coal black, waving hair, caught loosely into a strange yet becoming
coiffure. Her skin was of a light reddish copper color, against
which the crimson glow of her cheeks and the ruby of her
beautifully molded lips shone with a strangely enhancing
effect.
She was as destitute of clothes as the green Martians who
accompanied her; indeed, save for her highly wrought ornaments she
was entirely naked, nor could any apparel have enhanced the beauty
of her perfect and symmetrical figure."
Hope they faithfully replicate all this.
Site comments/questions:
Media Inquiries and Reprint Permissions:
(310) 367-6109
Editorial & Production Offices:
3415 S. Sepulveda Blvd.
Suite 400
Los Angeles, CA 90034
(310) 391-2245