Shoot the Messenger

Hollywood calls Western Union again.

Tim Cavanaugh from the May 2002 issue

(Page 2 of 2)

In today's message movies, too often the issues are presented not as fodder for stirring speeches or rabble-rousing drama but because their makers seem to believe the audience needs remedial education. John Q's end titles even lay out nationwide statistics on insurance coverage and transplant waiting lists.

Hollywood dilettantes are a particularly ill-chosen group of spokespeople for uninsured families, oppressed minorities, and other huddled masses; the reliance on statistics and abstracts, rather than drama, to deliver messages may be an indication of just how far, in shared-experience terms, Tinseltown is from the people for whom it speaks. As a result, the message movie is not only back but simpler and more didactic than ever. The only question is whether audiences will be slow enough to follow along.

Tim Cavanaugh writes for Agence France-Presse, Salon, and The Washington Post.

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